SIKANDAR – BOLLYWOOD MUSIC REVIEW UK

Sikandar seems to be a very offbeat movie with an intense subject to potray. The film is based in the picturesque setup of Kashmir with the sensitive subject of influence of terrorism on school children. Sikandar is a thriller about a school kid who finds a gun lying on the road on way back home & how that changes his full life. This will surely be an intense film & stars Parzun Dastur [Tussi Na Jaao Sardar kid of KKHH.. ] along with Sanjay Suri and R Madhavan. Sikandar is written and directed by Piyush Jha and produced by Sudhir Mishra.

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For such offbeat, intense & small budget movies, the music is usually not much to look forward to. For a non-commercial movie the music will never be commercial !! Plus offbeat movies like this usually use music as a tool to add narrative to the script or use as a background score. Thus the expectations are not sky high. One only expects the music to be soothing, meaningful, have some kind of a narration & with good instrumentation reflecting the culture of the Kashmir valley.

The music of Sikandar has some big names associated with it including the likes of Prasoon Joshi and Shankar Ehsaan Loy. Lets find out what the album truly delivers…

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REVIEW

Track 1 – Dhoop Ke Sikke – It is said that superstar lyricist Prasoon Joshi saw this movie and was so inspired that he went home & wrote a lovely poem. Producer Sudhir Mishra loved it soo much that he decided to use it as a song in the movie. Shankar Ehsaan Loy worked on the music .. and the final outcome was this song in the voices of Shankar Mahadevan & Anusha Mani.

The song is true to the hype as the SEL boys always make magic when with Prasoon.. like they did when they made Maa for Taare Zameen Par. The lyrics are brilliant and the music has the soothe touch to a soft rock rhythm. The lyrics sum the scenic beauty of Kashmir with suttle references while it talks majorly about the innocence of a child and how the society influences their future. It sure is a good listen & I love the start with Anusha’s vocals. 8.5/10 .

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Track 2 – Gulon Mein (SereneĀ  Version) – This kind of an OST would sound incomplete without the vocal touch of Mohit Chauhan [last heard on Masakali from Delhi-6] . The lyrics of Neelesh Misra are truly serene. They are deep, touching and thought provoking. The music by Justin-Uday is soft and easy to the ears. Its majorly acoustic with some great guitar work. A must listen track all in all as Mohit pulls the spot light off Shankar from track 1. 8.5/10 .

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Track 3 – Arzoo (Naat) – This is a traditional song sung in a purely religious style by a village boy named Mehrajuddin from Aru in Jummu & Kashmir. His style portrays raw talent and has the depth & recitation style of the mountain valleys. There is no music & his vocals carry the track thru for 2 minutes in style. 7/10 just for this tenagers voice.

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Track 4 – Allah Hoo – Justin-Uday are on a roll here and show their true talent after giving music for Hijack. Allah Hoo is a true Sufi ambient track. The music is simple & thus pure and soothing to the ear. I cannot imagine the music to be any better on this composition than it already is. They let the vocals by Yash Narvekar and Hrishikesh Kamerkar do all the talking and they do it in style. These 2 new singers are here to stay as no music instrument is better than the human voice. They both are gifted. Must mention lyricist Kumaar does an excellent job as well. Simple.. but Great listen !! – 7.5/10 .

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Track 5 – Gulon Mein (Upbeat Version) – The lyrics by Neelesh Misra have a different voice this time with KK giving it a rock touch that he brings with him to most of his tracks. The vocals are average though. Sandesh Shandilya [who's previous work includes movies like Chameli & K3G] does a decent job but nothing extra ordinary or worth noticing. Is he loosing his touch..? But thank God he has kept it simple and not made a remix out of it.. The upbeat version is not really upbeat except for the soft rock composition style. 6.5/10 .

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Track 6 – Manzaraat – Finally we get a Kashmiri song in theme with movie but the sound is totally different than the soft rock & sufi feel in the album so far. It sure adds variety to the OST but fails to impress as Shilpa Rao’s vocals, Justin-Uday’s music & Kumaar’s lyrics are all average. At times it sounds like Bhumro but doesn’t get close to the quality of that song. 6/10 .

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Track 7 – Chaal Apni – This is a romantic upbeat number with a Kashmiri compositional touch again to a modern digital beat. I would have called it to be average but the more I have heard it, the more I have started dis-liking it. I have come to a point where I can’t stand it. The music by Justin-Uday just doesn’t work and the singers Hamsika Iyer & Hrishikesh Kamerkar fail to impress here. Please end the album at track 6. 4.5/10 .

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FINAL WORD

Niche, Average – 6.5/10 .

As expected, it is not an OST for the masses but for the niche classes who enjoy sufi, lounge and soft rock. I would give it a higher rating & call it “Above Average” but the OST lacks any kind of commercial value and stays totally focused around the script of the movie. But the songs are good individually. The lyrics are deep and beautiful for the first few tracks. The singing renditions are brilliant by the maestros. Buy this album if you like to experiment with your music and like the calm of chillout music. If you are a commercial junkie.. then stay away from this soundtrack.. !!

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