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You can’t imagine how high my expectations were from this movie!!!

Nikhil Advani made hits like Kal Ho Na Ho & Salaam-E-Ishq and then got down to making Chandni Chowk to China… Ashutosh Gowarikar made Lagaan & then made Swades [although a good movie but not successful at the box office]… Pridarshan made Hulchul & then made a list of crap movies…

Dint expect Rakeysh Omprakash Mehra to follow this trend !!!

Rang De Basanti was epic, the trailers of Delhi-6 looked great, the storyline seemed unusual, the cast is good.. but the movie is a TOTAL DISAPPOINTMENT.. !!

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PLOT

Waheeda Rehman is in USA with her Hindu son who married a Muslim girl & then moved to USA. She is sick & does not have long to live. She wishes to come back to her old house in the nooks of Chandni Chowk in Delhi. Her grandson Abhishek Bachchan offers to bring her back. He’s never been to India & is welcomed by the locals in the typical loving way. Stars like Rishi Kapoor, Om Puri, Divya Dutta, Atul Kulkarni, Vijay Raaz, Aditi Rao, Prem Chopra & many more are the locals of this Delhi-6 area. Also here is wannabe Indian Idol Sonam Kapoor in a conservative family with a dad who wants to marry her off soon against her will. A mixture of stories start sprawling around Abhishek as he sees the day-to-day life of India. He appreciates how everyone gets together for every little thing here & how they are all one big family. He is starting to love the people & the surroundings. But then to break the bubble, a local pest known as “Kaala Bandar” is causing panic which eventually leads to unrest & finally communal riots. Abhishek tries to be a mediator but is shunned out every time. He is about to leave the country when he has a change of heart & decides to stay and help ‘his own people’.

I’ll leave the part of ‘how he helps’ for you to see if you ever decide to watch this bore…

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REVIEW

If you were expecting a new story and genre of cinema then you were right in doing so. This movie does deliver that to be frank… but in a very boring, slow and un-slick style. The script is interleaved with a number of parallel stories running together. The stories are not confusing but there is barely any continuity. You won’t really enjoy the flow of this movie. It’s slow and not crisp at all. It does not build up on the graph nor does it keep you engrossed.

The innovative story idea goes to a total waste due to over ambitious aims of the production team. The whole Kaala Bandar concept is sooooooo rubbish & cheesy.. and highly overdone!!  The performances are decent but yet again none so outstanding or captivating. Abhishek is the main face of the movie and is in almost every scene. He does a good job but yet you won’t take much notice of his work due to crappy story telling style. Soonam is cute and good only in the Masakali song. Rest is average cause she barely has a few lines ..

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HIGHLIGHTS OF THE MOVIE

- Music is the best thing about this movie.

- Guest appearance by Amitabh Bachchan.

- Good job by Abhishek Bachchan throughout the movie.

- Sonam is cute & charming mainly in the Masakali song.

- Good story but told in the most obsolete & boring way. The way Mehra has shown how the society works and how the irrelevant things become big in India is true to its depiction.

- The idea of Delhi moving in New York is quite cool in the song Dil Gira Dafatan.

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LOWLIGHTS OF THE MOVIE

- Very slow flow to the movie.

- Not at all engrossing & captivating. You are not looking forward to anything in the movie.

- The Kaala Bandar funda is way overdone and very cheesy.

- No glamour or show off. [That's a relief for a change though.. ]

- The songs are so good that Mr. Director decided to run the full movie using those songs as background scores. There is barely any other background score at all in the movie.

- The sound design and sound effects are absolutely hopeless throughout the movie. They completely ruin the experience.

- The overall post-production on the visuals, sound & edit is quite bad.

- There is major use of evident green screening for a lot of shots. Looks really bad.

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FINAL WORD

I think I have been extremely critical to the movie in my review above.. that’s because I had really high expectations from it… So lets tone down.. Be fair and neutral..

Overall Average – 5/10 .

This movie is a classic example of what you can call a drag.. Also an example of how poor post-production can ruin a good story with fairly good performances. Try not to fall asleep when you see this. And if you have any expectations.. please leave them at home..

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The first insight I got about the music of Delhi-6 was in an interview with lyricist Prasoon Joshi when talking to him about the music of Ghajini. I had asked him what the chemistry is like between him and Mr. Rahman. All he said was, “We are working together on the music of a movie called Delhi-6. Listen to that and you will know”. I think for any music lover that one line wraps up anticipation and expectations !!

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Last time the team of Rakeysh Omprakash Mehra, Prasoon Joshi and A. R. Rahman got together one of India’s most acclaimed and highest grossing movie was made with the name Rang De Basanti (RDB). The music of that movie made an equal impact and touched/inspired millions.

Blessed are these three and Thank you to them for creating Delhi-6 for I have not heard anything like this in an era. Just when you feel Prasoon cant get better with the pen (after Maa & Guzarish) and Rahman has delivered his best ( with Ghajini, Jaane Tu.. ya Jaane Na, Slumdog Millionaire ) , Mr. Mehra steps in and inspires a creative epic in the form of Delhi-6.

The music touches different aspects of Delhi and its life in romance, faith, beauty, fun and classical tradition. Bollywood has a growing obsession with Delhi and especially Chandni Chowk area of old Delhi ( Oye lucky.. lucky oye, Chandni Chowk to China ). For those who dont know, the “6” in the title refers to the pincode of the Chandni Chowk area in Delhi and so the music revolves around the lifestyle of that area.

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REVIEW

Everyone in India knows about the musical brilliance of A R Rahman. People in UK know about that too through his musicals like Lord of the Rings and Bombay Dreams. Now.. the whole world knows about his capabilities with his current rise to fame as being the first Indian to win the Golden Globe for the soundtrack of Slumdog Millionaire. Rahman proves with Delhi-6 that he can outdo his own self !!

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Track 1 – Masakali – Truly innovative, harmonic and melodious in all possible ways. Usually songs that come at the start of the year fade out of our memory by the year end when you get to judge the best songs of the year. I am very sure Masakali will not just remain fresh in our minds but will also win that best song title !! The lyrics are truly fun and the work of a genius. You would expect such lyrics from the old guru’s like Javed Akhtar or Gulzar. But young Prasoon Joshi proves that linguistic and poetic abilities have not faded in our generation.

Cant praise Mohit Chauhan’s vocals enough. He makes this song what it is !! Deep and soulful. Rahman does his magic with a superb Bass guitar work with Harmonica, Bongo’s, Ghattam, Accordion and an amazing classical style violin orchestra. The music creates an atmo-fun-sphere around you in which you can visualise the carefree attitude of the characters. You wont find anything missing or expect anything more out of this song – 10/10 .

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Track 2 – Arziyan – I am a big fan of Javed Ali’s singing abilities ( Jashn-e-Bahara, Guzarish, Ek Din teri rahon mein, Nagaada nagaada ). He prove’s it yet again why. This time he has Kailash Kher for company. Rahman goes back on the lines of his typical Islamic Sufi religious songs like Khawaja Mere Khawaja & Piya Haji Ali. This time only better. This 9 minute long song is serene and pious. It will make you believe in the power of simple music and gratitude to God and you won’t come to know where 9 minutes have passed. Tabla, harmonium, and bass are the simple ingredients that make this a perfect combination with Prasoon’s amazing lyrics. Truely soul touching 8.5/10 .

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Track 3 – Dilli-6 – Remember ‘Khalbali Hai Khalbali’ in RDB ? This title track takes you right there. The song is very cool & groovy. A variety of singers including Blaaze, Benny & Tanvi add the extra zing factor to the track. It also has French vocals provided by Viviane and Claire. I don’t remember when was the last time a Bollywood music director decided to add a French touch to they soundtrack. There are certain things only Rahman can do !! Lyrics are plain and ordinary. This song is for it’s youthful cool quotient and not it’s deep lyrical factor. 7.5/10 .

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Track 4 – Rehna Tu – A Rahman OST is never complete without a song in his own voice. Especially if it is a romantic one… This composition could have been used by any International band and delivered a worldwide hit with it. The song is truly Global and unique. It even breaks into an Arabic style chorus in between and Karnatic towards the end. It has Rahman written all over it.. It’s all him.. !!

If you can manage to get your attention off Rahman’s sublime and suttle vocals then listen to the lyrics. I think they are better than those of Guzarish. One can play this song and make anyone fall in love with them.. Romantic at it best – 9/10 .

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Track 5 – Hey Kaala Bandar – I dont get this track and don’t know why it’s there on the OST… Perhaps the only disappointing track on this CD   Lyrics are crooked with crap English rap. Music is stylish but not enough. Plus it has inspired parts from Yuvraaj’s ‘Dil Ka Rishta’ song. Vocals by Karthik, Naresh, Srinivas and Bony are good but don’t stand out. We need to wait and watch how this song is placed in the movie. Might make more sense then.. For now lets ignore it. 5/10 .

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Track 6 – Dil Gira Dafatan – Rahman is known to introduce new singers all the time. But this time he plays a gamble with singer Ash King. He gives him brilliant romantic lyrics but barely any music.. relying all the way on his vocal delivery. Does it work?? It sure does.. It’s Rahman & Prasoon backing Ash after all. His voice has a deep classical and vintage Bollywood texture that I simply love. At the start, the ‘Dil Mera’ chanting itself makes a lasting impression and sets the tone for the rest of the song.

Lyrics are as good as Track 4 Rehna Tu. The orchestration, altough minimal, is the best I have heard in a long time. The violin’s & spanish guitar just take you away on a journey. The composition is simply brilliant. Put this song on repeat – 9/10 .

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Track 7 – Genda Phool – This short track has some of the best classical female voices of the present time. Rekha Bharadwaj, Sujata Majumdar, Shrradha Pandit and V.N Mahathi contribute to this shocking song. Why shocking?? The song opens to Rekha’s folk rustic vocals and then just out of nowhere a brilliant funky beat kicks in leaving you stunned !!! Is there any style or musical trick Rahman can’t execute ?? This time Rajat Dholakia adds to the composition making it a ‘out of the box’ track. Perfect for wedding Mehndi functions. I can’t get enough of this 8.5/10 .

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Track 8 – Bhor Bhaye – A pure classical track has not been heard in any Bollywood OST for years now. Rahman brings the magic back in it’s purest form. I am trained in classical music and I assure you the Thumri Gujri Todi is not easy to deliver.. and nor is what Rahman has managed to deliver here with a perfect transition and mix of the original recording by Ustad Bade Ghulam Ali Khan and the new breath-taking rendition by Shreya Ghoshal. Kudos to her for making this sound effortless and truly Hindustani classical.

Prasoon Joshi shocks us here with his talent and knowledge of Indian music and poetry. He has written additional lyrics to a decades old classical piece maintaining it’s true flavour. Love the Tabla and Harmonium on this track. I can’t imagine the time Rahman and his team must have spent on cleaning up the original recording for today’s clear digital release. The mix sounds perfect !! This track should be used as a case study in Sound Engineering courses… A masterpiece – 9.5/10 .

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Track 9 – Aarti (Tumre Bhavan Mein) – Sitar, timbals and voice. This combination has been the highlight of religious classical music in India for centuries. Rahman brings back his ‘O Palanhare’ formula from ‘Lagaan’ only this time to traditional lyrics and composition. Rekha Bharadwaj, Sujata Majumdar, Shrradha Pandit & Kishori Ashok Gowariker render this Hindu Aarti in its purest form. You can’t help but feel overwhelmed in these 3 minutes. 8.5/10 .

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Track 10 – Noor – Amitabh Bachchan features to wrap up this album with a monologue poem. It does not have to be music all the time. Some times words say it all. This 50 second piece talks about Love for that one special person who you see everywhere and in everything. 8/10 .

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FINAL WORD

Brilliant – 9/10 .

I recommend tracks 1, 2, 3… Damn.. chuck it.. I RECOMMEND THE FULL ALBUM.. !! Please go buy it.. It’s worth every penny. True to all expectations and a must have in every music lovers collection. The album is a genius musically, lyrically, vocally and even as far as the engineering goes. Big up Rahman, Prasoon Joshi and Omprakash Mehra for brining it all together !!!

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