DJ Munks.com

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Pyaar Impossible, Badmaash Company & Lafangey Parindey.. 3 average movies on the box office this year by Yash Raj Films. They need a big hit to make up before this year ends. Will Band Baaja Baaraat (BBB) be that big hit? Who knows.. we will find out on the 10th of December. What we know is this movie launches two new careers. Director Maneesh Sharma is the new man behind the camera while lead actor Ranveer Singh is the new face in front of the camera. He is the son of actor Sunny Deol if you don’t know that already. Thus the man has some big responsibility on his shoulders considering his fathers & grandfathers fantastic reputation on the big screen. Lets hope he can make it work on screen with Anushka Sharma in a movie about weddings in Delhi.

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Winter time in Delhi is the season of weddings. For a movie on that theme & based in that city, the expectations are really high on the music front as it should be able to deliver the music that will be playing at every party of every wedding in this peak season. The guys who producer Aditya Chopra can close his eyes and trust to deliver big hits is the pair of Salim-Sulaiman. Rab Ne Bana Di Jodi & Aaja Nachle are couple of the big names of their handy work. Joining them are Amitabh Bhattacharya writing the lyrics and the projection of debutant director Maneesh Sharma. It will be interesting to hear what Delhi sound can this album bring to the market in peak wedding season. Let us listen..

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REVIEW

Track 1 – Ainvayi Ainvayi – Quite a tune.. Salim Merchant voices this song himself with Sunidhi Chauchan. This is after a very long time that I am loving Sunidhis work in a song. Her vocals are bang on with the perfect texture & tone in a song style that suits her perfectly. Salim kicks butt too.. The music is a really good mix of the Punjabi tumbi start & blends into a modern deep base beat pattern. The music is funky and works in the growing & evolving Delhi music scene. It is not a style of music that you would have heard in Bollywood. The lyrics hook line Ainvayi Ainvayi is soo damn catchy & will stick in your head & your tongue for a long time just after the first listen. The lyrics are proper Delhi talk & work very well. This is still not the traditional Bollywood dance songs & so will take some time to grown in the market.. and even longer in the super traditional UK Asian music market. But for the music innovation I give it 7.5/10.

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Track 2 – Tarkeebein – The brilliant voice of Benny Dayal that Rahman once discovered is still one of the most smooth voices in the industry. Salim teams up with Benny on the vocals and they sound unique & fresh together. A good partnership on some fantastic lyrics by Amitabh. Really love the flow of the lyrics on this song which talks about ideas, confidence and the fight to excel in this world. This could be the anthem of the college kids this year. The music is really cool with a unique beat pattern with some exciting mix of sitar & harmonium on this modern mix. Like this song. 8/10.

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Track 3 – Aadha Ishq – The queen of romantic Bollywood songs – Shreya Ghoshal gives this song some effortless vocals. The mix on her vocals does not seem right at some points but I guess that is just me… Salim-Sulaiman cannot get that wrong. The music is an average traditional romantic composition. Nothing flashy about it.. but the highlight of this song are the lyrics. The title hook Aadha Isha has been very well placed in by Amitabh delivering a beautiful song. This song will easily find it’s way to the radio waves but will not rock the boat a lot here in the UK as it lacks stunning music & vocal work. 7/10.

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Track 4 – Dum Dum – Another Benny Dayal number this time with Himani Kapoor who has not been around for a long time. She does well but does not create a lasting impression. The lyrics are catchy but the music composition is not. Although Salim Sulaiman do a lot with the music with fantastic instrumentation & creative use of bass guitar & percussion, it still lacks mass appeal. It sure is a different & good song but something about it does not stick and create an impression. I think it is the arrangement & composition. That is why probably it has been placed in the middle of the album as it could not make place anywhere else in the OST. 6.5/10.

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Track 5 – Mitra – The creators of the song jump on the mic here as well. Lyricist Amitabh & Salim sing this song quite well. It is an easy going number for some background listening in your car after a tiring day at work. A song about separation & loosing your friend but with a rather bright composition. It is not a dark song that will make you cry & thus I like it more as it is a contract of emotions on the music & lyrics front. Something really cleaver & well done by both these boys. It is very situational & the music has a good use of synths & keyboard work with guitars. Must listen song. 7.5/10.

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Track 6 – Baari Barsi – Finally the wedding Punjabi number we have been waiting for. A salute to Salim Sulaiman & Amitabh for what they have done with this song. The traditional lyrics of Baari Barsi has just been totally transformed into a modern spin off with a bold pop RnB beat with a very cleaver use of shenaai & dhol. It still has the classic fast typical Punjabi clossing of the song which will surely get you up on your feet. The lyrics are very interesting and new. It still incorporates all the family members in the rhymes and gets them up to very modern phrases. Vocals by Harshdeep Kaur & Labh Janjua are brilliant. It is absolutely fun when Labh Janjua says “buggi wuggi” instead of “boogie woogie”.. lol. Check this song out as you hear it in the next wedding you attend. Fabulous work. 8/10.

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Track 7 – Band Baaja Baaraat (Theme) – This is soo the new sound of Bollywood.. and the new sound to be of Indian weddings. A complete modern version of your traditional brass band at a baaraat. It is brilliant & perfect creative musical mix by Salim Sulaiman. Love this short 1:55 duration piece. The instrumentation & arrangement of the various instruments & effects is just genius. It is experimental & learning for music producers around the world. 8.5/10.

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Track 8 – Ainvayi (Dilli Club Mix) – This dude Abhijit Vaghani brings in a new sound to remixing all together in Bollywood. He seems to be re-inventing Bolly remixes. He is producing some really classy remixes that have spirit & essence and have not been done just to fill up the CD. This is quite an upbeat & the name clearly describes what sound is working in the Delhi clubs these days. The vocals have been re done by our UK boy Master Saleem of Kangna fame with Sunidhi. The effects & rhythm of the song is bang on the money. This is to be my next favourite mix song for the London parties. 8/10.

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Track 9 – Dum Dum (Sufi Mix) – Ok now.. this mix does not really work for my. It is by Abhijit & in his support he surely has done something different & unique with the original with new more powerful vocals by Sukhwinder Singh. But the song in itself and the whole idea just does not work. The sufi side of it is not even clear.. It completely misses the trick. I rather don’t like this song at all. 5.5/10.

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FINAL WORD

Very Good – 7.5/10

Except for one composition of Dum Dum, rest of the songs of BBB are pretty cool and right there where you would call it a good album. All credit goes to the innovation, creativity and pure musical talent of Salim Sulaiman and the beautiful lyrics of Amitabh Bhattacharya. The performances by the singers are good as always with a come back by Sunidhi Chauhan. The OST lacks a huge range & variety of music but it delivers on the expectations for a wedding centric movie. For the UK market the album will actually pick up & make the best use of its potential when the next wedding season kicks in the summer. Till then it will be slow & steady rise in popularity for this OST & it’s Punjabi numbers Ainvayi Ainvayi & Baari Barsi. Tarkeebein & the theme song are my personal favs. Buy this album. Music on YRF Music.

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Sanjay Leela Bhansali is a class apart. You have to admit that when you read names like Devdas, Hum Dil De Chuke Sanam & Black next to his name credits. The man is an artistic genius and his vision & direction is exemplary. The colours, cinematography, artistic camera work, fantastic performances with a good story are some of his strongest points that he brings to the table. Guzaarish looks to be another classic piece of work from him starring supremely talented actors Hrithik Roshan & Aishwarya Rai Bachchan in the lead roles. It shows similarities to Black in look & the disability concept where Hrithik is a disabled magician now pleading to be put to death. The concept is very interesting and I am sure the movie is the one to watch for at least excellent direction & acting by both the stars.. if nothing more.

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Ronnie Screwvala usually always spends his money wisely. Co-producing a movie like Guzaarish under the UTV banner is a big risk in a market that is recovering from recession & thus not taking risks with non-mainstream movies. He must have immense confidence & faith in the script of the movie and most importantly in Sanjay.

Sanjay has taken multiple roles in this movie.. Producer, Director being his usual roles.. but he is the music director for the first time for a full OST. He has done this before in his last movie where he successfully created a massive hit with his first composition – ‘Thode Badmash‘ from the movie Saawariya. He has now composed the full OST of Guzaarish with no help except for the lyrics of Vibhu Puri & A. M. Turaz. You ofcourse don’t know these 2 names as Vibhu is a newcomer and Turaz has never made a hit song in his 3 year career so far.

I am quite excited to hear this OST and see if Sanjay can bring the same emotions, his classic unique style & untapped vision in the aural domain as he quiet easily delivers these characteristics in the visual domain.

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REVIEW

Track 1 – Guzaarish – In his first project Sanjay has decided to at least play safe with his singers and use his most reliable vocalists who have delivered hits on his past projects. He gave K K his big break & K K gave him Tadap Tadap in HDDCS which is by far one of the most powerful songs in Bollywood & one of the most difficult songs to sing. But KK takes a rather softer touch to his vocals in this song. He gave Shail Hada his big break in Sawariya and he is here too but contributing mainly with background vocals. The lyrics by Turaz are brilliant. The song is purely artistic & theatrical with clear sad elements. Violins by Suresh Lalwani are just brilliant with some excellent guitar work. Kudos to Sanjay for the composition in the opening track. Watch out.. this song almost makes you cry. 7/10.

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Track 2 – Sau Gram Zindagi – The piano melody at the start of the song sets the tone of the song with the soothing voice of Kunal Ganjawala. The vocals are good and brings out a different aspect of Kunal’s performance capabilities but it is not the best of him. But the choice of taking him is evident as there are English lyrics towards the end and Kunal does them very well like many of his other songs. The whistling is great too & adds more definition to the song. The song is a recipe in a sing song fashion and explains the main characteristics of 100 grams of life. Very well & carefully written by Vibhu Puri. The orchestration in the second bridge is of Rahman calibre and shows the amount of effort & detail Sanjay has put in doing his first music OST. The overall composition is almost like a ghazal. I still love it. 7.5/10.

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Track 3 – Tera Zikr – I would like to credit musician Tapas Roy who plays the Odu on this track almost effortlessly. The music in the first 30 seconds of this number is very exciting and truly innovative in the Kashmiri style of music. The arrangement by Sanjay is fresh & noteworthy for any aspiring musician. Shail Hada finally gets his song as the main vocalist and he does not disappoint at all. It is almost like you have been waiting for him. He literally makes you welcome him. This song is probably now one of my all time favourites!! It is a piece of genius. The lyrics by Turaz are absolutely simple but gorgeous. I could kiss his hands for writing this song. You will fall in love with it. These lyrics make Shail’s job very difficult & you thus have to applaud his work when you have heard the full song. The instrumentation variety & arrangement is fabulous. A very unique set of instruments blend together over different ranges taking your mind & heart up the mountains. Even the use of Rakesh Pandit’s high pitch voice is a perfect fit to the song. I cannot find enough words to prise this song. Must hear!! 10/10.

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Track 4 – Saiba – After the Kashmiri mountains Sanjay now takes us to Goa & it’s Portuguese musical heritage. The Spanish guitar & bongo-Congo arrangements with Accordion give a good variety & range to the OST so far. The vocals by Vaibhavari Joshi, Fancois Castellino & Shail Hada are good for this Goan style of song. The lyrics are average & thus so the overall composition of the song. It is simple & thus nothing much worth noticing except the instrumentation. You can miss this & you won’t miss much. 6/10.

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Track 5 – Jaane Kiske Khwaab – This is very short & sweet song. It says a lot with a beautiful concept in a matter of 3 minutes with K K’s vocals. An acoustic guitar, cymbals & piano are all to accompany him. The words by Turaz are simply beautiful and touching. They say a lot in a few lines. The composition by Sanjay is good. A good listen. 7/10.

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Track 6 – Udi – This is a situation party song again with a Spanish dance music inspired tune. Probably used for one of magical performances situation in the movie. The rhythm is a good mix of Goan & Spanish musical styles but lacks the click factor to catch on. You won’t latch onto this song & sing along. The vocals by Sunidhi are good but do not show her full potential and talent. Lyrics by Turaz are average. 6/10.

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Track 7 – Keh Na Sakoon – This is another acoustic guitar & piano based song with very soft vocals by Shail Hada. The artistic flavour of this song is again in its composition & lyrics. “Keh Na Sakoon main itna pyaar, seh na sakoon itna pyaar.. itna pyaar karta hoon“. Such a deep & beautiful thought penned by late Jagdish Joshi & Vibhu Puri. The sad & loving expression is well reciprocated in the vocals and music of this song. The piano work by Jarvis Menezes is excellent. 7.5/10.

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Track 8 – Chaand Ki Katori – You will immediately notice the powerful & classical vocal style of Harshdeep Kaur make an impression on you. Her vocals go to a higher pitch with every line of the lyrics. She hits every note perfectly & then eases into the next note pitch. The vocals are very beautiful. The lyrics by Vibhu Puri are deep and very interesting. Concentrate on every word and you will notice the different aspects about life that Vibhu has covered in this song. Musically Sanjay uses a deep bass Flugel horn which I don’t think I have ever heard in a Bollywood song. It fits in very well with the vibe of the song. Great arrangement. 7.5/10.

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Track 9 – Daayein Baayein – Another K K song with lyrics by Turaz. Unlike most sad songs in this OST so far, this song takes you to a happier place under the sun. It does not have the dark indoor musical feel which comes with a good amount of strings and high pitch K K voice. The lyrics are happy & talk about happy lovely memories. Very good variation to the OST but as a standalone song it is not the best or a catch number. It is quiet average. 7/10.

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Track 10 – Dhundli Dhundli – The album ends with a very different and poetic song. It is still very artistic in every aspect and is also situational to the movie. The pitch keeps rising as this song has the pleasure of Shankar Mahadevan’s voice with some high pitch violin. The lyrics by Turaz are very well framed to the situation and are a story in itself. Musically this is a big violin orchestra work. Sanjay has conducted and executed it a perfectly grand and intricate style. This is a very well thought and well executed song. It has a system & different levels that it reaches on the music & the vocals. It is not a job of an amateur but a genius. 7.5/10.

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FINAL WORD

Very Good – 7.5/10

Sanjay Leela Bhansali likes to do things in an artistic larger than life way and this is very clearly noticeable in his music as well. For a first time music director he has done a fantastic job. You can easily compare the music of Guzaarish to international world music albums and you will not be able to undermine Sanjay’s work. He truly has the calibre to be the next Rahman.

What this OST & Sanjay’s style lacks is mainstream variety in the music styles. Whether he is capable of producing something like that is what needs to be seen to make him the next Rahman in Bollywood land. His attempt in Guzaarish is purely situational and is quite versatile within that domain. He does not explore beyond that. Most songs are average as they are within the same delivery style and thus limited. But there is definitely no bad song in there.

The vocal performances by K K & Shail Hada are the highlights with some phenomenal lyrics by Turaz and Vibhu Puri. Both should have really bright futures from hereon. I also have to give credit and mention all the musicians of Guzaarish as the instrumental work is very good. Sanjay deserves all the credit for managing this to the dot. For sure buy the album available on T-Series.

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Yet another comedy with Akshay Kumar & ‘Remake Specialist’ director Priyadarshan. These two can’t seem to get enough of each other. Well they used to make a great team in the good ol days of Hera Pheri but recently they seemed to have lost it with movies like De Dana Dan that was beyond plain rubbish. Khatta Meetha seems to be rather fun where Akshay Kumar is a road contractor with the name “Sachin Tichkule” and thus this time the fun is on the corrupt government & diplomatic functioning of the Indian public sector departments. Based in Mumbai the Marathi angle is quite clear and Priyadarshan most commonly uses the music style of the city where the plot is based around. Also, common to Priyadarshan movies is the fun angle clearly evident in the songs. So I am expecting totally senseless, slapstick Marathi songs.. lol.. That doesn’t sound too good does it..? But let me assure you, Priyadarshan very un-commonly does surprise you at times as well. Let’s hope this is one of those times.

He has Pritam on his team yet again but with a new kid on the block named Shani. Last time their combo worked really well was not long ago with Marjani in Billu. This movie does not have the look of a big track but lets find out anyway what this 7 track OST have in store.

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REVIEW

Track 1 – Nana Chi Taang – It sounds like our dear Indian rapper U.R.L. kicks off this album with very good pronunciations for these Marathi lyrics written by Irshad Kamil. Kunal Ganjawala is back on a song working with Pritam that lacks class and flavour. I am quite disappointed with Pritam to open this OST with a below average composition like this. I know some Marathi and what the title means is “your grandfathers leg”.. that’s quite literally though!! It has the fun element but not really when you think about the fact that he is trying to impress a girl with these ‘heard before’ lyrics. Truly disappointing! 5/10.

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Track 2 – Sajde – Now this is a good typical Pritam romantic song that he gets right every time. You can never doubt Pritam’s calibre with Irshad’s lyrics when it comes to romantic songs. And on top of this when you get 2 of the best voices of K. K. and Sunidhi together it all comes alive. This song makes you see the video by just closing your eyes. Truly mesmerising and simply worth doing ‘Sajda’ of. 8/10.

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Track 3 – Bull Shit – Famous Pakistani pop singer Shehzad Roy features on this song and has even written the lyrics of this song. This is a really funny and truly expresses the currouption of the Indian politicians who could sell the country for a bit of money. The singing is true to the style of Shehzad and you can easily recognise him if you have heard any of his big musical hits. Speech within the song is another typical style of Shehzad and he delivers a fun song but it is not jaw dropping.. Music is my new name “Shani”. I am guessing he is probably the Pakistani pop singer and actor ‘Usman Shani’. His composition is good but average musically. 6.5/10.

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Track 4 – Aila Re Aila – Another Marathi influenced fun song.. but this time it truly is fun because Nitin Raikwar’s lyrics are cheeky & funny with amazingly powerful vocals of Mr. Daler Mehndi. He is just too good and can make you have fun even without any music. His voice and energy can just keep you going on the dance-floor. Kalpana Patowary’s vocals completely complement Daler’s vocals and credit is to Pritam to pick them for this song. Pritam’s music is very good too and has a place in Mumbai street parties. It appeals to the masses.. 7/10.

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Track 5 – Nana Chi Taang (Remix) – This is a good remix by Kiran Kamath but it is very difficult to like this song as a whole because of its below average lyrics and composition. But this remix is surely better than the original. 5.5/10.

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Track 6 – Sajde (Remix) – There is absolutely no need to remix this song and DJ A-Myth does not help the song in any way. The tempo is still the same rather with a reggae beat. I would surely credit him for trying to do a completely new job by recording new female vocals with Harshdeep Kaur but they don’t really work for me. Sunidhi compliments the lyrics and KK more. 6/10.

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Track 7 – Aila Re Aila (Remix) – Kiran Kamath has tried to do something with this remix which is frankly not very clear to me. I don’t really get what is going on in this remix. Probably I am too sleepy or bored or just plain inexperienced to evaluate this song. It sounds very confused with heavy keyboard synths for key bass and too many whistles. The original works better for me on this one. 5.5/10.

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FINAL WORD

Average – 6/10

Khatta Meetha OST does sound like a Priyadarshan movie soundtrack. It has the mix of fun and Marathi and romance but lacks innovation and songs that you would like to put on a repeat. Other than Sajde & Aila Re Aila all other songs are purely average and not even worth a second listen. All singers have performed well but the OST does not surprise you. Like I said.. Its not very common for Priyadarshan to surprise you. Let’s hope his next project gives us something more for the ears. I will not recommend for you to buy this album but surely do buy Sajde on the Internet and give it a repeat listen. Album on T-Series.

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There is not going to be much to talk here I guess. Here is the off screen story…

I am guessing Mahesh Bhatt wrote another crap story.. daughter Pooja Bhatt found that attractive but could not find director to direct it.. So she had to do it herself to keep her millionaire dad happy. But then she could not find a actor or music director. So bumped into Mr. Himesh Reshammiya who agreed to compose the music only if he was allowed to act after his string of massive flops and also sing every damn song on the album… Out of choice the poor girl had to agree to that But then no label was ready to buy the OST so T-Series said we will buy it only if we can also be the producers & have Kishan & Bhushan Kumar’s name on there to make a little money that this movie will make on the whole.. So what we finally get is a very small group of people involved which includes the Bhatts, Mr. Reshammiya & the Kumar’s. Finally, they add a debutant beauty Mona Laizza for eye candy and we get KAJRAARE !!

Like my short story..? Don’t worry if you don’t.. See if you can like the trailer instead.. He is a lawyer.. she is a prostitute and they are in the desert..??? Kudos Mahesh & Pooja.. You sure can visualise with creativity!

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But this article is not about the Bhatt’s but the long hair dude Himesh & his creativity who delivered some massive hits in his hay days.. but only delivers flops recently like his last movie Radio. Never heard of it..? well that’s because it never even made it on the “radio”.. lol

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REVIEW

Track 1 – Kajra Kajra Kajraare – A nice soothing harmony by Sunidhi Chauhan with an electro bass sets off this song to a good start untill the english “cool” lyrics set in asking you to “Move it” & “Bring it down” to a rather slow 88 BPM song !! Well anyway.. it’s good to hear Himesh’s voice after a long time. He surely is unique in his style but the song or the lyrics by Sameer do not thrill. There is one thing though.. If you listen to it a few times it will grow on you & you will find yourself humming.. Thus I got to give it some credit.. 6.5/10.

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Track 2 – Rabba Luck Barsa – Another harmonic start but this time in Himesh’s voice. This song can boast of some good instrumental work. But what really makes this track special is a voice over by Mr. Mahesh Bhatt himself. The VO & the lyrics are deep, sensible and romantic in every sense. Himesh delivers some better high pitch vocals like some of his previous work.. viz. Karz. 7/10.

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Track 3 – Aafreen – I will give a lot of credit to Himesh for using Santoor & Sarangi in a Bollywood song after a very long time with a decent dholki beat and acoustic guitar. It reminds you of what Bollywood music used to be in the early 90′s. Purely in the Ghazal style, this song can boast of very good lyrics and some phenomenal singing by Himesh. I could never imagine he could do something as classical & authentic like this. I am glad to say.. Himesh has still got it in him & can pull originality out of his socks. This is a must listen for a calm candel-light romantic evening. Also check out the vocals of Harshdeep Kaur in the final verse. It’s wicked.. 8/10.

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Track 4 – Tujhe Dekh Ke Armaan Jaage – Himesh decides to finally work with the desert feel as in the trailer with pure Rajasthani folk start to this song. He then decides to maintain the folk vocal style but to a funkier slow beat which sounds very cliche. This song will remind of you of so many different songs in so many different ways. I suggest fast forward to 2:10 into the song & listen to the rubab instrumental solo and then Shreya’s vocals that save the song for me. 6/10.

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Track 5 – Teriyan Meriyan – Another slow romantic instrumental number consistent with the top 4 which would almost help classify this soundtrack as a Bollywood lounge album. There is something about this song which is different & I quite like it. I don’t know why. It has a unique lyrical pattern with santoor as the primary instrument with good vocals by Himesh & Shreya Ghoshal with a cute Punjabi touch. I guess that’s what it is. I just like it.. Do you to? 7.5/10.

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Track 6 – Woh Lamha Phir Se Jeena Hai – Finally Himesh does disappoint with his composition! The music, lyrics and arrangement of this song just don’t work along with each other for me. It lacks everything that you need to make a decent song.. But then Harshdeep Kaur steps in.. renders some very good vocals.. If Himesh could just step back for atleast one song !! Too much to ask I guess.. 5/10 just because of Harshdeep Kaur’s vocals else it would be a 4/10.

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Track 7 – Sanu Guzara Zamana – A classical romantic number then comes in after a rhythm breaker Track 6.. and it is quite refreshing & soothing in every way. I will recommend this song to Nusrat Fateh Ali Khan fans. It has the Pakistani music style which works very well because Himesh renders it beautifully keeping it very simple. Listen to the lyrics carefully to thoroughly enjoy this song. 8/10.

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Track 8 – Kajra Kajra Kajraare (Party Mix) -Never heard their name before.. so let me introduce DJ Lloyd and Discreet. I can’t blame them for the delivery of a shaab mix. I am a DJ myself .. but the purpose of this mix is unclear to me other than an album filler. Please skip as this mix lacks character.. 4.5/10.

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Track 9 – Rabba Luck Barsa (Party Mix) - Now this is a good mix. It’s fun and definitely worth calling a party mix. I can imagine hearing this in clubs as dance floor warmer at the start of a party. It has new music elements that fit in well with the layout of the song. Well done DJ Lloyd & Discreet. Who is discreet by the way..? 6.5/10.

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Track 10 – Woh Lamha Phir Se Jeena Hai (Party Mix) – Although I hate the original, this mix sounds better. For once the purpose of a mix is clear when it does make a song better. But frankly this mix is nothing special. It is purely average for a otherwise crap song. 5/10.

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Track 11 – Sanu Guzara Zamana (Lounge Mix) – Love this mix but not as much as the original as it lacks the creative element. DJ Lloyd has used a very standard lounge mix beat pattern. But the lyrics & vocals on this song can make any music on it sound good. A definite recommend for weddings background music. 7.5/10.

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Final Word

Good – 6.5/10

The overall album is much better than what I expected it to be. Himesh surely still has it in him and is excellent on the microphone in some of the songs. There is some very good use of instrumentals reviving traditional Indian instruments & thus makes it different. Certain compositional styles are retro but beautiful. Himesh has tried to step away from what he made his mark as with the dance beats & House music tunes. He is consistent throughout the album with a single romantic slow style of music. That does become a disadvantage as the album lacks variety. It’s versatile for sure.. but only in the Indian classical domain.

Although vocally good.. there is just too much of Himesh in the album. In the movie it makes sense as Himesh is the actor & all songs won’t be together. But when listening to the OST as a whole.. it becomes a lil too much. ‘Aafreen’, ‘Teriyan Meriyan’ and ‘Sanu Guzara Zamana’ are my pics of the album. A good listen for those romantic at heart. Album available on T-Series.

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Last movie that Sohail Khan produced was Partner –> super hit music !!

Last movie Puneet Sira directed was Jai Veeru –> Few hit songs !!

Last movie music director Dabboo Malik [Anu Malik's brother] worked on was Kisse Pyaar Karoon & Team-The Force –> All super flops !!

Why did Dabboo Malik step into the hit combination of Sohail Khan & Puneet Sira is unknown to me.. But my expectations from the soundtrack of Kissan just took a plunge into cold water because of his presence…

Hum Tumhaare Hai Sanam & Kasoor are the only two hits in his career and that too ages ago. Why does he still keep getting work is something we will have to decide after we listen to the music of Kissan.

With a cast of the likes of Jackie, Arbaaz, Sohail, Dalip Tahil, gorgeous Dia Mirza & the cute Nauheed Cyrusi the expectations are high from the music of Kissan. Also, the topic of the movie caters to the majority population of India that is farmers. It thus needs to have a total traditional feel to the soundtrack with a lot of Punjabi influence so it can appeal to the millions of farmers working in their fields and have this playing on their radio sets in the background

Let’s find out what this 6 track album has in store for the international audience…

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Review

Track 1 – Punjabi Munde – This track implies a decent start to the album. It sounds like a number of Bollywood Punjabi tracks with a bit of english rap. The beat is almost similar to Sambhale from Ek-The Power of One but this one is better for sure as it is more catchy with the ”Punjabi Munde honde hain kamal” punch line. The difference is with the number of singers on this track. Labh Janjua, Shakti Singh, Sunidhi Chauhan, Siddharth Singh, Parthiv Gohil, Earl D & Dabboo Malik himself give their voice but none of them stand out. It’s like a chorus throughout the song !! Nothing extra ordinary about the performances, lyrics [by S.R. Bharti & Kanwar Juneja] or composition of this song but I guess the video will decide if this song turns out to be a hit. 7/10 .

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Track 2 – Humko Rehna Hai – A typical Bollywood romantic song with stars running around in the fields in their traditional clothes.. mannn I can visualise the full thing…. Well the composition, instrumentation & arrangement of this song makes it easy to guess the sequence. The lyrics by Panchi Jalonvi are basic but conveys the message adequately. Shaan & Shreya Ghosal sound totally like villagers with their pronunciations & thus sweet in a way. It is not a hit song but not a bad one either. 5.5/10.

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Track 3 – Jhoomo Re Jhoomo – Yet another multi-singer number for a festive village scene. Ad Boyz, Abhijit Ghoshal, Tarranum, Sujata Majumdar, Pavni Pandey & Dabboo Malik sing the below average lyrics of Panchi Jalonvi. Althought this song is groovier than the Track 1 in many compositional & instrumentation ways it lacks decent performances by any of the singers in the huge list. This song can play well in Dandiya & garba parties but lacks overall commercial appeal. 6.5/10 .

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Track 4 – Neeche Sari Duniya – This might be the main title song of the movie & is with a religious twist. It describes farmers & the hard work they do in very suttle words penned by Salim Bijnori. What makes this song special are the vocals of Room Kumar Rathod. He is just the best for such thematic songs with his deep voice. He is supported by Harshdeep Kaur with the chants & harmonies. I love the instruments used & their arrangement in this song. Credits to Dabboo for that.. 7/10.

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Track 5 – Waqt Ki Dhoop – This is a short sad interlude for the intense dramatic scenes in the movie for the turning point in the script. Toshi sings this with determination in his voice as if he is feeling those emotions. Very well performed as you can feel the character. Lyrics by Panchi are good too. The music is basic but the chorus is deep & soulful. Short & nice.. 6.5/10 .

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Track 6 – Punjabi Munde (Remix) – We couldn’t have had a Bollywood soundtrack without a remix !! But frankly we could have done without this average ‘sounding like million other remixes’ track… Brother number 3 – Amal Malik is responsible for this. But at least this can now be used by DJ’s in desi wedding sets. 6/10 .

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FINAL WORD

Simply Average – 6/10.

Well I can at least say Dabboo Malik can continue to get work in the industry as he can do a decent job unlike many others. But when it comes to doing something new or producing hits, neither HE nor this album go a long way. It’s purely an average listen with no big numbers. Lyrics, music composition & all vocals sound similar to many others that you have heard before. All songs are purely situational with relevance in the movie & thus at least make sense & are not out of place. Buy this OST only if you have a thing for early 90′s Bollywood sound.

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