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Adi Chopra is back with a bang with New York after the super hit Rab Ne Bana Di Jodi last year. He is not only producing but has also written the story of New York. This time he puts his faith in director Kabir Khan’s work who’s last movie was an average – Kabul Express.

Yash Raj Films has a reputation to maintain… & doing that is not easy in the hugely diverse Bollywood industry. When the first few details of New York came out we thought it will be a fun.. college buddies type romantic movie based in New York. Perfectly sane to expect that as romance is the natural preferred flavour of Yash Raj Films.. and the fun element is the immediate guess with a cast of John Abraham, Katrina Kaif, Neil Nitin Mukesh & Irrfan Khan. Then the posters, trailers & interviews came out highlighting the missing twin towers that got us wondering if it is an action movie about 9/11.

And now.. finally after 2 months of Bollywood strike the movie comes out with a totally different angle ready to surprise us all.. It’s not about 9/11 per say.. it’s not a fun romantic movie.. Its a serious drama about the after effects of 9/11 and their influence on 3 young Muslim life’s.

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PLOT

NEW YORK opens with Neil Nitin Mukesh [Omar] being detained by the FBI for moving guns & bombs in a cab owned by his company. He has no idea what is going on as he is totally innocent & is being framed by the FBI officer Irrfan Khan [Roshan] who wants him to go undercover & get back close with his old time college buddy John Abraham [Samir] who is a terror suspect. Omar cant believe this & the movie hits flashback to his college days when he had come from India & met his classmates Samir & Maya [Katrina Kaif]. They were really good friends & it all lead to a love triangle.

This is where you would think this is a romantic movie.. but.. eh ah.. Nope.. it is not. Omar just walks away from Samir & Maya on 9/11 while they get married. 7 years later he is now back in their life as an undercover FBI agent to prove that he & his friend Samir are both totally innocent. He must now stay with them in their house and discover the truth about what happened to Samir post 9/11 that led him down the wrong way. He must gain Samir & FBI’s trust & fight time before it is too late to stop Samir from doing another 9/11 level disaster.

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REVIEW

Sounds interesting doesn’t it..?? Well it is..

It is not too creative but is realistic. New York doesn’t highlight the fun element of the city that it is most commonly know for.. but the misery’s of the selected few who were tortured post 9/11 on grounds of their name, colour & race. Its the story of 3 young Muslim students caught in the after effects of 9/11 with the US governments desperation to show that they are doing something to stop such a thing from happening again in the future. It also shows the good aspects of Muslim immigrants like Irrfan Khan who want to make a change & stop all Muslims being categorised as terrorists. Neil helps him in this endeavour to prove a point that it is wrong to judge or categorise people of specific communities based on their race. What makes people go the wrong way are their circumstances & the decisions they make.. not their religion.

The movie has a good message no doubt.. but the best part is that it comes from a very young cast who deliver the message very well with some very mature performances. The script is absolutely focused & to the point with no twists & turns & beating around the bush in typical Bollywood style.

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HIGHLIGHTS OF THE MOVIE

- Very good performances by John, Neil, Katrina & Irrfan. I finally have some respect of John & Katrina as actors!

- Good tight script with a straight forward story line & no confusions or use of unnecessary casts to fill up scenes.

- Has a good message to the story where there is no villain. The enemy is time & circumstances.

- Direction is accurate where Kabir Khan looks in full control to get what he wants from the script & his actors.

- Although based in New York the film is not flashy at all and must have been shot with a very small budget.

- The characters are well defined in the story & the focus on each character is perfect in proportions.

- Thus Aditya Chopra does a fab job with story writing & production. Hats off to him & Sandeep Srivastava for the screenplay.

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LOWLIGHTS OF THE MOVIE

- For a powerful subject & script like this, the dialogues are absolutely boring & non-dynamic.

- The songs are a total waste on the OST. Hai Junoon is the only decent song.

- Background score & sound design of the movie are purely average.

- Cinematography & locations are purely average for a shoot based in New York. It could have might as well be shot in a designed studio set.

- Few downsides in the story ending that I don’t agree with & consider them to be hurried script decisions. For example.. I don’t see why a  wife who knows her husband is involved in terrorist work will not try to talk him out of it for their child’s sake. Also, I don’t see why a devoted family man will make a wrong decision to end it all for his family.

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FINAL WORD

Very Good – 7.5/10.

Except the above few technical sides of film making, New York is handsome movie package. UK audiences should be able to relate to this story in many ways because it is very similar to things that happened here post the London tube bombings. The movie is realistic and brings out the human side of a deep agenda of harmless innocents being dragged into criminal investigations because of the wrong doings of certain inhuman people in the community. It does not show the law & order agencies to be at fault for creating terrorists out of innocent people.. but how wrong individual decisions of people exploited by the system leads to revengeful acts.

New York is a good watch. It is modern mature cinema for the thinking audience & thus a must watch for all generations.

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Yash Raj films is back with Aditya Chopra producing NEW YORK with a highly commercial cast of John Abraham, Katrina Kaif, Neil Nitin Mukesh & Irrfan Khan. The movie is directed by Kabir Khan who’s last directorial venture Kabul Express was a flop with average reviews & a couple of decent songs on the OST. But with New York your expectations are bound to be higher as it is first of all a Yash Raj movie.. then has the hottest cast in Bollywood right now.. is based in the most glamorous city in the world.. plus it has Pritam doing the music.. All in all it has commercial written all over it !!

But on the other side the agenda of the movie gets you wondering if New York is a commercial music hit maker.. If you don’t know what the movie is about.. have a look at the wallpaper above..

Cant spot it..?? Look closer…

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Yup.. so you spot the ghost of twin towers there & so you know the movie is about 9/11. Not really about the attack but the after effects on the life’s of 3 Muslim students in New York. I still expect the OST to be bright & fun with a few elements of romance & a few serious songs.. Lets find out if it actually sums up to our commercial value expectations..

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REVIEW

Track 1 – Hai Junoon – Doesn’t sound like the start of a commercial album.. Well maybe it’s not then..!! KK renders his soulful Yaaron style vocals but the overall performance is average all thanks to simple & average music composition by Pritam. It has the typical soft college rock style which might go with the movie story but is overdone & cliche in the music market.. Lyrics by story writer Sandeep Srivastava are good & hold the other elements together making it a fun listen.. but with nothing special.. 5.5/10 .

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Track 2 – Mere Sang – Another non-commercial song..! The flow of this album is telling me it is more of a off-beat serious style of a album rather than a fun up-beat Yash Raj type.

Sunidhi Chauhan sings this song using her softer tone & sublime style. It’s not the best side of her & sounds monotonous. Composition style & arrangement by Pritam are just about the same as Track 1 & million’s of other such songs. It lacks innovation.. not just on the music side but also on the lyrics by Sandeep. It’s a decent one time listen but you may not like to come back to it.. 5/10 .

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Track 3 – Tune Jo Na Kaha – Finally something different with still on the down-beat lounge style… n I like that style..   Mohit Chauhan’s voice does something to a song.. it creates a vibe & gives it the depth of feelings. A romantic ballad with good lyrics that are perfect for a chilled out evening, sitting in the balcony in moon light.. Try it   The composition is simple with a good arrangement of backing vocals, light string instruments & a neat flute solo. Overall the track works for me.. 7/10.

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Track 4 – Aye Saaye Mere – The Persian style of this song is the work of Pankaj Awasthi. He has composed & sung this song as well. It’s the song with a message that would play in the background half way through the movie in a sad sequence. Very situational with an intense vibe. The lyrics are by Junaid Wasi & are pretty good with a traditional poetic feel to it. It’s a good song but lacks commercial appeal because of it’s theatrical situational feel. Listen to the lyrics carefully.. “Na Koi Kaala Na Koi Gora.. Ik Rang hi Sabhi ko rang de“. 6/10 .

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Track 5 – Hai Junoon (Remix) – Remixed by Julius Packiam. I have never heard his work before but this is a good start. He plays around well with KK’s vocal harmonies at the start & concentrates on his vocals throughout the mix which is a good relief. The beat is simple & makes the original more fun to listen to. The song now has this energy that it needs to go with the feel & lyrics of the song. 6.5/10 .

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Track 6 – Mere Sang (Remix) – Julius does a decent job trying to revive this dead track. I dint enjoy the original at all.. but this is bareable. There is not much scope in the original to play around with & the best creative element that Julius could come up was to add a subtle tabla sample throughout with ‘Hai Junoon‘ shouts which mix well. 5.5/10.

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Track 7 – Sam’s Theme – Sam is John Abraham in the movie. The theme makes his character sound like a serious & troubled guy.. Doesn’t go very well with John’s glamorous girl man looks & charm. Sound like he is experimenting.. lol. Good in a way.. as we’ll come to know if he can act.. !

Caralisa Monteiro’s classic vocal harmonies are truly amazing while our remix man Julius Packiam shows he’s not just the one with beats. He can surely compose & deliver good theme music to the standards of Yash Raj films which is a common feature in most of their movies. I like this classic music piece as it has some really good orchestra work. 7.5/10.

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Track 8 – New York Theme – Electric guitar’s with tribal drums give this instrumental the intense feel that describes the movie for us.. NO it’s not a fun commercial film.. but rather a serious flick with a message to convey. Sounds like something I have heard before. 6/10.

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FINAL WORD

Average – 5.5/10

The soundtrack for New York is nothing special. It does not even have the basic elements of a Yash Raj movie. No fun dance tunes, no big romantic numbers & no Bollywood style biggies either. An off beat non-commercial album totally opposite to our expectations.. and it is not even outstanding in it’s off beat category. Ignore this OST as am sure you can do without it in your collection.

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Aamir started it .. Sharukh follows… Remakes of South Indian films is becoming a trend. It was Ghajini first and now we have Billu Barber which is a remake of a Malyalam movie.. only this time we have the big name of Priyadarshan associated with it along with Sharukh Khan’s production house Red Chillies Entertainment. So when it comes to Sharukh’s name being associated with a project especially under his own banner than we know it has to be a commercial bonanza. The album is thus no surprise…

The man of comedies from South Priyadarshan is another commercial and masses man. Thus the obvious choice is to bring Pritam on board. He delivered some of the biggest hits of 2008 with movies like Singh Is Kinng, Kismat Konnection, Race, Jannat and many more. Forget the fact that most of his music is inspired or copied. The bottom line is he deliveres music that is loved by the masses and thus super-hit in all aspects. Hence a wise choice to have him on board in a movie that is packed with item numbers with the hot dusky beauties of Bollywood shaking it up with the King Khan himself.

But the question is… Does Pritam deliver yet again.. ?? Lets hit Play and find out…

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REVIEW

Track 1 – Marjaani – Pritam tries to re-invent an already used formula of Mauja hi Mauja in this song. Exactly same beat pattern and style with Punjabi vocals. It starts with an Arabic feel to it with prominent use of Udu. Very clean vocals by Sunidhi and Sukhwinder Singh. Lyrics do make sense.. it’s Gulzar after all. It has a prominent bass line that keeps up with the beat and thus a great club number. Very Bollywoodishly shot with Kareena and Sharukh and thus a sure shot hit for all parties. As a DJ I am already blasting this track all over UK. but cant compare it to Mauja can we ? It’s fair to give it a 7/10 .

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Track 2 – Love Mera Hit Hit – Neeraj Shridhar and Pritam are a great team. But what on earth is this song all about!!! Pritam just got a little tooo carried away and lost it..  Senseless lyrics, basic beat pattern, reverb’ed vocals, repetitive… but very catchy and good use of flute in it. I like the rap parts. What a relief to know it’s not Gulzar Saab’s lyrics. I would have been dead of shock.

This is one of those songs that if you listen twice, it will stick in your head and you will keep humming the punch line. Then you will abruptly stop and hate yourself for getting hooked on such a stupid number. It’s dumb, but somehow works in a senseless way. Another club hit with an electro bass. [ Hate it when I have to admit something good in a senseless thing :@ ] . 4.5/10 .

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Track 3 – You Get Me Rockin & Reeling – Now we are talking. Neeraj finally gets to do what he is best at. A light romantic number with all the elements to become a big hit eventually once they start promoting it after they are done with Marjani and Hit Hit. This song deserves all the raves for its western with Indian blend. The English parts are refreshing but sound familiar. Pritam finally proves a point on Track 3. A must listen. 8/10 .

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Track 4 – Ae Aa O – This sounds like a song written by Neeraj in his college days for his Bombay Vikings launch but failed to ever make it anywhere with it. Great vocals by K.K as always but the song doesn’t work. It’s neither catchy, nor great lyrically and hangs half way between rock and cool pop. The dirty guitar and KK are probably the only good things in this song. Just another college anthem.. but not cool enough. 6/10 .

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Track 5 – Jaoon Kahan – Sayeed Quadri pens this beautiful sad song and Raahat Fateh Ali Khan comes yet again to Pritam’s rescue. The song is very situational and relatable to the story of a poor barber faced with hardships and dis-ownment of his family and friends. Sad songs are an integral part of most Sharukh movies. This one not one of the best but I like it. 8/10 for the lyrics, vocals and to Pritam for trying something different for a change .

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Track 6 – Billoo Bhayankar – Gulzar comes back with this fun packed song which is my favourite on this album. Very authentic, traditional, rural and true to the flavor of the character played by Irrfan. It suits the movie title and I can imagine it in the climax and at all happy times in the movie. Kudos to Gulzar and the singers Ajay Jhingaran, Kalpana & Raghuveer who clearly outshine all the other regular pro singers on this album !! It reminds you of ‘Khaike Pan Banaras Wala’ from Don.. only peppier and more fun.. Pritam now has new found respect by me for his work on this track. 9.5/10 .

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Track 7 – Khudaya Khair – This is just the desi version of You Get Me Rockin & Reeling. Evidently more Bollywood with the same chorus like. The orchestration is good but nothing new or different. Pritam hasn’t done much here plus the vocals by Soham are ordinary. So much so they dissolve Gulzar’s lyrics. Listen to track 3 rather than this. 6/10 .

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Track 8 – You Get Me Rockin & Reeling (Video Edit) – It’s the same as Track 3. Things they would do to fill up an album and make the soundtrack look bulky. Dominic does the female vocals on this and they are good no doubt. But ignore this track. 6/10 for doing anything different except a female singer.

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Track 9 – Love Mera Hit Hit (House Mix) – DJ Amyth tries to rescue a messed up track with his House beats. He does rave it up no doubt.. but his best bet would have been to remove the vocals and keep the music for a simple House track. 5/10 .

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Track 10 – Marjaani (Kilogram’s Balkan Mix) – I usually like Kilogram’s mixes but not this one. Too much experimentation !! A Bollywood song with Punjabi lyrics to a house beat with a very prominent Arabic feel and a Spanish chorus bridge. Doesn’t work.. It’s Overdone !! Original is much better. 4/10 .

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Track 11 – Khudaya Khair (Reprise) – It’s a pleasure to hear Abhijeet’s voice after a long long time. His voice was used for Sharukh for such a long time but then he went low with so many new singers on the block. He comes back in a more acoustic version of Track 7 and does it so much better. The singing senior proves a point to the freshers. 8/10 .

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Track 12 – You Get Me Rockin & Reeling (Remix) - Oh come on !!! What would it take for Pritam to leave a good track along. DJ Suketu always does a good job & you don’t doubt his talent in this mix.. but why this track..?? The remix does no good to an already great number. 5/10 .

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Track 13 – Ae Aa O (Remix) – I never like DJ Nikhil Chinnappa & DJ Nawed’s remixes. This mix is no different. Plain useless. Waste of 5 mins of listening time. Mr. Nikhil please stick to being a VJ. 4/10 .

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Track 14 – Marjaani (Electro House) – DJ Sunil and Spinz do a much better job than Kilogram. Electro is the most popular dance genre in India at the moment and I can already see this mix being spun on a repeat. It’s a slow soft electro mix with a clean electro bassline and good playing around with the vocals. The Dj’s are not trying hard to impress and thus is pretty good. I recommend this mix. 7/10 .

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Track 15 – Love Mera Hit Hit (Remix) – Although it has Delhi boy NYK & DJ Chetas on it.. I still don’t want to listen to it. Just had enough of this rubbish track. Whatever they try with it.. It’s not going to work. Bass gives u a headache on this track. Not mixed well either. 3/10 .

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FINAL WORD

Overall Average – 6.5/10 .

1, 3, 5, 6, 11 and 14 are my recommended tracks. Rest are as easy as hitting the skip button on the remote. Well Pritam does answer my initial question. He surely has still got it.. but it is wearing out !! He has become inconsistent and is going all over the place in some songs but then comes back in a few. Probably, that could also be because of the Sharukh & Priyadarshan influence. You decide..

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