Brothers Mahesh & Mukesh Bhatt have created a number of hits under their banner Vishesh Films including Raaz, Raaz 2, Jannat, Zeher, Kalyug, Gangster, Murder and many more.. A few common names to a number of recent hits out of Vishesh Films include director Mohit Suri & actor Emraan Hashmi. Another common feature to Mahesh Bhatt movies is the introduction of a new face.. and this time it is a cutie called Neha Sharma playing Emraan’s love interest in Australia. So what is left to see is if all these common factors together once again deliver another hit with Crook: It’s Good to be Bad. The movie revolves around the recent racist attacks on Indian students in Australia and the growing ambition of a man who cares nothing about the world..
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Hit music maker Pritam has worked for Vishesh Films and made some of the biggest hit soundtracks including Jannat, Woh Lamhe and Gangster. Mahesh & Mukesh Bhatt sure know how to make a hit movie and Pritam knows how to deliver the best OST. But it has been a while since they all hooked up together on a project. Will Crook be able to deliver the big hits with the lyrics of Kumaar and the big melodies of Pritam? Answers are as below..
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REVIEW
Track 1 – Challa – Bollywood is moving in 2 directions.. Western and traditional Nothern India. This song is the perfect example of that. Superstar Punjabi singer Babbu Mann who is almost worshiped in Punjab makes his Bollywood appearance with this inspired cover of Gurdas Mann’s traditional folk song Challa with a musical twist by Pritam. The English vocals and lyrics are by Suzanne D’Mello give it that western feel. The lyrics by Kumaar are purely authentic and true to the Punjabi flavour. This is a smart business song by Pritam rather than a brilliant composition. This song truly has appeal to not just the Bollywood lovers but to a huge mass of Punjabi music lovers in the UK & USA where Babbu Mann has a massive following. Thus Pritam captures it all with this tune. Definitely a dance floor tune. 7/10.
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Track 2 – Mere Bina – Nikhil D’souza is the man in demand these days in Bollywood and is sure worth every second of listening and every second of the work of the music director & the lyricists. He knows how to deliver a romantic tune with a very melodic deep voice. His talent & gifted voice is unmissable as he hits some really accurate notes. The harmonies he has done for this song under the genius direction of Pritam is commendable. The music is simply beautiful.. and better are the lyrics by Kumaar. It just reminds you of the beautiful songs of Raaz 2 that Kumaar had penned & were super hit on all airplay. This is the next big song. Love it.. 8.5/10.
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Track 3 – Kya – This song starts off with very synthetic keyboard work with filter effects on Neeraj Sridhar’s voice. Totally not required!! Don’t get what Pritam is trying to deliver in this song. The composition is below average and totally inspired with a fair amount of English lyrics. The Hindi lyrics are decent but not the ones you will find yourself singing after listening to the album a couple of times. I say ignore this song as you will rarely be hearing it anywhere on TV or radio. Quite disappointing after Mere Bina. 6/10.
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Track 4 – Tujhi Mein – This song has an interesting keyboard melody with an alternative rock composition. It is something you would expect from Pritam & his rock band background. The vocal performance by KK is spotless & powerful as always with average lyrics. You really have to listen to the electric guitar solo about 3 minutes into the song. Absolutely brilliant guitar work with a very different texture sound to the strings and very well recorded. This is a good listen but could take some time to grow on you. Do listen to it a few times. 7.5/10.
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Track 5 – Challa (Remix) – Our Scottish Punjabi boys Tigerstyle excel in reviving folk Punjabi songs with their hands exactly on the pulse of the UK Bhangra lovers. Their use of absolutely unique and culturally specific Punjabi instruments and composition is classic and brilliant with a modern beat. Give this song a couple of weeks and it will be at the top of BBC Asian Networks chart.. Guaranteed..!! My definite favourite from this album. 8.5/10.
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Track 6 – Tujhko Jo Paaya – If Mere Bina was brilliant then this is supertastic!! A bit of shuffle on the lyrics by Kumaar and a rename of the song title gives you Tujhko Jo Paaya.. that too in Mohit Chauhan’s voice only to the sound of an acoustic guitar. His vocals are soo warm that you just feel like snuggling in with a loved one. Mohit also does a harmony rendition at the end that you have to listen to without fail. Genius version. 9/10.
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Track 7 – Tujhi Mein (Reprise) – This is a more acoustic and ambient version of Track 4 with almost new lyrics except for the chorus. Sung again by KK and you really don’t see any other singer who can sing this song. But I’d settle with track 4 and don’t really feel the need of this version. It is present in the album totally to cover the story and is purely situational. 7/10.
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Track 8 – Mere Bina (Unplugged) – A third version of this beautiful song out of a total of 8 songs…. and you know what.. you don’t mind it.. As this time it has the deep & powerful voice of KK to it. No complaints to his singing or the unplugged melody composed & arranged by Pritam.. but I prefer Mohit Chauhan’s acoustic version in Tujhko Jo Paaya. It just sounds better in his voice. This version is again in the soft rock setup with a really good keyboard solo this time and fantastic band instrumentation. It is lyrically and composition-ally a brilliant song and thus will sound good with any vocalist & musical setup. 8/10.
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FINAL WORD
Very Good – 7.5/10
Crook gets a ‘very good’ simply because the total of individual scores of each track gets it a high score. It deserves that… but all thanks to a brilliant song called Mere Bina which is a treat to listen to in every setup and in every version. Also contributing to the high score is the presence of a Punjabi hit number in the form of Challa with an international appeal. Other than these 2 songs, the rest of the album is average. There is not enough variety & not enough creativity to boast off. Thus as an overall album I would classify Crook to be an average OST. But it sure deserves all the airplay and all the recognition to Challa & Mere Bina. Good job yet again to the team of Pritam, Kumaar, Mahesh Bhatt, Mohit Suri & the fantastic lineup of singers. OST available on Sony BMG.
Once Upon A Time In Mumbaai is the 7th movie under the Balaji Motion Pictures Banner. Not a single movie so far has had music that stands out or can boast of a hit. If we leave the music and talk just about the movie, not a single of their productions has delivered well the box office except for average business.
Once Upon a Time in Mumbaai could just about be the one to change it all for the biggest small screen banner who could now be the big screen banner that Ekta & Shobha Kapoor have dreamed of making it… and it all rests on the shoulders of brilliant actors Ajay Devgan & Emraan Hashmi. These guys usually always deliver the vision of their producers and directors. But does director Milan Luthria who has made movies like Kachche Dhaage, Chori Chori, Deewar & Taxi No. 9211 have it in him to deliver a hit underworld Mumbai theme movie? That we will have to wait till the 30th July to watch.
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For now let us analyse what hit maker Pritam can deliver with lyricists Irshad Kamil, Nilesh Mishra & Amitabh Bhattacharya for a movie with a very dark theme. Pritam has never actually worked on a Mumbai dark side themed movie although he has delivered some super hits with movies like Gangster, Jannat & Rajneeti recently. I would imagine this OST will have some street talk Mumbai songs with the slang and violent gun shots with a mix of romance & totally dark Mumbai themed music for background scores of the movie. I would love it if Irshad can repeat his magic of Karam on the lyrics cause that was sensational. Let’s hit play and check it out.
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REVIEW
Track 1 – Pee Loon – Very pleasant first 30 seconds of the album that set the tone of the album. And you can’t ask for more than Mohit Chauchan’s voice following the soothing 30 seconds of music. This Qawaali based romantic song reminds you of the sea side by Haji Ali. The melody and instrumentation are heart felt with a mesmerising harmonium solo in the middle bridge which you must take a notice of as that is not something you hear often in music these days. The team of Pritam, Irshad & Mohit make an instant classic romantic hit. A must listen. 8/10.
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Track 2 – Tum Jo Aaye – Seems like this is more of a romantic movie than a underworld bloodshed extravaganza. Tulsi Kumar along with Rahat Fateh Ali Khan perform a very soulful vocal rendition to Irshad’s poetic lyrics. Once again Pritam sticks to the Qawali style Bollywood music format with another good harmonium solo. The dholki played on this song is brilliantly recorded. The classical composition & recitation work well in the favour of this song and even has a Punjabi element to it. It is a good song but not the best. It won’t stick in your head as much as Pee Loon. 7/10.
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Track 3 – I Am In Love – We know Karthik from two really big songs – Behka from Ghajina & Behne De from Raavan recently. Both truly are brilliant. So is I am in love. You can really feel the emotion when he says “I am in Love”. His vocals & harmonies are spotless on a great voice. The lyrics by Nilesh Mishra will make you sit up and take notice of them as they rhyme all the way. Pritam’s composition & simple music complement this song perfectly. It is just simple & beautiful. You will surely like it. Do listen.. 7.5/10.
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Track 4 – Parda – Haha.. revival of the classic.. Remember Duniya Mein Logon Ko from Apna Desh? Sunidhi & Rana Mazumder do a revision of that classic and spice it up with some new lyrics by Irshad which are not that great. Rana freaks you out here sounding exactly like The Boss – R. D. Burman. Pritam very successfully gives you the 70′s feel with this composition and Sunidhi is his star that delivers it very well on the mic. You can’t help but sing along every time the “Monicaaa” shout comes along. I love going back in time.. & this song takes u there. A production & creative genius song. Lacks brilliant lyrics. 7.5/10.
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Track 5 – Babu Rao – From the start you will take notice of the unique music style. Kudos to Pritam for this coming up with this composition. It is genuine, unique and works perfectly with the theme of this song. The programming of the instruments is imaginitive & brave. Mika has his usual fun and is perfect in the vocals department. He sounds like a street don. But the best part of this song are the lyrics by Amitabh Bhattacharya. They are cool, funny & represent all gangsters. I won’t be surprised if they start using this song as their gang theme song.. lol. 8.5/10.
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Track 6 – Tum Jo Aaye (Reprise) – If you liked track 2 then this version will blow you off with its calmness, style, purity & melodic feel. It is just genius. It is all about 4 instruments – gorgeous tabla, resounding ghungroos, brilliant harmonium and Rahat Fateh Ali’s voice. I don’t want to tell you more. Just listen to it & you will discover the beauty of Indian music. 8.5/10.
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Track 7 – I Am In Love – KK & Dominique do a 2nd version of Track 3 which is also like a reprise version. It is as good as Track 3. KK & Karthik each have their own place and you can’t really compare these 2 versions. Karthik has more depth while KK has a sharper stylish voice. Lyrically & composition-ally it is the same song. 7.5/10.
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Track 8 – Pee Loon (Remix) -DJ A-Myth is one of the best DJ’s in India and he really proves it this time with giving a decent remix which does not kill the original. And thank God they very selectively chose this song rather than doing a remix of every song on the OST. So overall a very decent & cute remix. Perfect for a warm up set or calm drinking party. 7/10.
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Track 9 -I Am In Love (Dance) – There you go.. that’s how you ruin a good song with a not required remix. A trance mix of a great song with 2 different versions already on the OST.. I don’t see why did they need a third version and too on a totally inspired trance beat. This is perhaps the only blunder on a perfectly good album. Please end the OST on track 8 to keep you ears safe. 4.5/10.
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FINAL WORD
Very Good – 7.5/10
This OST is definitely not what it feels like. It is more of a romantic album rather than a underworld album with Marathi influences. Every song is better than expected and there is no below average song except the last track.
3 beautiful romantic songs, 1 bar type song which is a production beauty as is a revival of a classic and 1 brilliant underworld song that thrills you in every way. Babu Rao, Pee Loon and Tum Jo Aaye (Reprise) are the definite picks of the album with all credit to Pritam once again for a masterpiece album. His choice of singers, instruments & lyricists is brilliant. Each of them perform with a simple goal to make this OST worth listening to. And it sure is.. So go buy Once Upon A Time In Mumbaai. Available on T-Series.
Yet another comedy with Akshay Kumar & ‘Remake Specialist’ director Priyadarshan. These two can’t seem to get enough of each other. Well they used to make a great team in the good ol days of Hera Pheri but recently they seemed to have lost it with movies like De Dana Dan that was beyond plain rubbish. Khatta Meetha seems to be rather fun where Akshay Kumar is a road contractor with the name “Sachin Tichkule” and thus this time the fun is on the corrupt government & diplomatic functioning of the Indian public sector departments. Based in Mumbai the Marathi angle is quite clear and Priyadarshan most commonly uses the music style of the city where the plot is based around. Also, common to Priyadarshan movies is the fun angle clearly evident in the songs. So I am expecting totally senseless, slapstick Marathi songs.. lol.. That doesn’t sound too good does it..? But let me assure you, Priyadarshan very un-commonly does surprise you at times as well. Let’s hope this is one of those times.
He has Pritam on his team yet again but with a new kid on the block named Shani. Last time their combo worked really well was not long ago with Marjani in Billu. This movie does not have the look of a big track but lets find out anyway what this 7 track OST have in store.
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REVIEW
Track 1 – Nana Chi Taang – It sounds like our dear Indian rapper U.R.L. kicks off this album with very good pronunciations for these Marathi lyrics written by Irshad Kamil. Kunal Ganjawala is back on a song working with Pritam that lacks class and flavour. I am quite disappointed with Pritam to open this OST with a below average composition like this. I know some Marathi and what the title means is “your grandfathers leg”.. that’s quite literally though!! It has the fun element but not really when you think about the fact that he is trying to impress a girl with these ‘heard before’ lyrics. Truly disappointing! 5/10.
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Track 2 – Sajde – Now this is a good typical Pritam romantic song that he gets right every time. You can never doubt Pritam’s calibre with Irshad’s lyrics when it comes to romantic songs. And on top of this when you get 2 of the best voices of K. K. and Sunidhi together it all comes alive. This song makes you see the video by just closing your eyes. Truly mesmerising and simply worth doing ‘Sajda’ of. 8/10.
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Track 3 – Bull Shit – Famous Pakistani pop singer Shehzad Roy features on this song and has even written the lyrics of this song. This is a really funny and truly expresses the currouption of the Indian politicians who could sell the country for a bit of money. The singing is true to the style of Shehzad and you can easily recognise him if you have heard any of his big musical hits. Speech within the song is another typical style of Shehzad and he delivers a fun song but it is not jaw dropping.. Music is my new name “Shani”. I am guessing he is probably the Pakistani pop singer and actor ‘Usman Shani’. His composition is good but average musically. 6.5/10.
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Track 4 – Aila Re Aila – Another Marathi influenced fun song.. but this time it truly is fun because Nitin Raikwar’s lyrics are cheeky & funny with amazingly powerful vocals of Mr. Daler Mehndi. He is just too good and can make you have fun even without any music. His voice and energy can just keep you going on the dance-floor. Kalpana Patowary’s vocals completely complement Daler’s vocals and credit is to Pritam to pick them for this song. Pritam’s music is very good too and has a place in Mumbai street parties. It appeals to the masses.. 7/10.
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Track 5 – Nana Chi Taang (Remix) – This is a good remix by Kiran Kamath but it is very difficult to like this song as a whole because of its below average lyrics and composition. But this remix is surely better than the original. 5.5/10.
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Track 6 – Sajde (Remix) – There is absolutely no need to remix this song and DJ A-Myth does not help the song in any way. The tempo is still the same rather with a reggae beat. I would surely credit him for trying to do a completely new job by recording new female vocals with Harshdeep Kaur but they don’t really work for me. Sunidhi compliments the lyrics and KK more. 6/10.
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Track 7 – Aila Re Aila (Remix) – Kiran Kamath has tried to do something with this remix which is frankly not very clear to me. I don’t really get what is going on in this remix. Probably I am too sleepy or bored or just plain inexperienced to evaluate this song. It sounds very confused with heavy keyboard synths for key bass and too many whistles. The original works better for me on this one. 5.5/10.
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FINAL WORD
Average – 6/10
Khatta Meetha OST does sound like a Priyadarshan movie soundtrack. It has the mix of fun and Marathi and romance but lacks innovation and songs that you would like to put on a repeat. Other than Sajde & Aila Re Aila all other songs are purely average and not even worth a second listen. All singers have performed well but the OST does not surprise you. Like I said.. Its not very common for Priyadarshan to surprise you. Let’s hope his next project gives us something more for the ears. I will not recommend for you to buy this album but surely do buy Sajde on the Internet and give it a repeat listen. Album on T-Series.
Oooohhh.. This seems like an exciting project. Not just because Deepika Padukone is looking hot & Saif+Deepika are looking great together.. but because Imtiaz Ali is back after the smash hit Jab We Met. He made a superstar actor out of Kareena in that movie.. & now it seems she has recommended her boyfriend to the director man. I don’t really see the problem with that cause Saif can be brilliant if the role fits his profile (as demonstrated in Omkara & KHNK).
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Saif Ali Khan has gone a step ahead this time though & is not just acting but also producing Love Aaj Kal with Dinesh Vijan. He is also picked up the trick from Akshay & dressed Singh in this movie.
The trailers look fun & the star chemistry is looking good with a good light story line typical to an Imtiaz Ali movie.
Another factor prominent in an Imtiaz Ali movie is good music. Jab We Met’s music was ground breaking with songs like “Mauja Hi Mauja”, “Yeh Ishq Hai”, “Nagada Nagada” & the romantic “Tum Se Hi”. The man behind all of that is back on Love Aaj Kal. Pritam is the most sought Music Director in the industry & is back to prove why he is the man most in demand when it comes to making hits.. This time he is back with Irshad Kamil who he worked together with on the songs of Jab We Met & Aa Dekhen Zara.
NO doubt they all make a great team together.. but lets find out if their magic works yet again with the OST of Love Aaj Kal for the UK audience.
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REVIEW
Track 1 – Twist – This is a big one.. !!!!! A hit & a dance floor blazer in Neeraj Sridhar’s super style. It’s a cross of Nagin meets Panjabi MC with the Snake Charmer theme. The vibe of the song sounds similar to “Ab Toh Forever”from Tara Rum Pum but it is still a genuine hit. The lyrics are rubbish but the fun factor is so prominent that you wouldn’t pay attention to that and just do the “Twist”. This is for the clubs.. for weddings.. for birthday parties.. & for every damn party. Its now at the top of my DJ set list of must play songs.It is not as good as Mauja.. but Pritam sure is back to put this composition up there in that category.
We have a winner at the start of the album ladies & gentleman Hit Hit Hit – 7.5/10.
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Track 2 – Chor Bazaari – This song is a care free.. give a damn to the world type of song. The musical texture is great with a smile beat pattern, trumpets, Spanish acoustic guitar & a touch of the village sound. The arrangement is superb with the drops & come backs with versatile use of instruments. To top all instruments are Neeraj Sridhar & Sunidhi Chauhan’s voices. They sound great together & you can feel confidence oozing out of Irshad Kamil as he beautifully plays around with words to give some good lyrics. I like this song as it has a soft feel with still a dancy grove to it. 7.5/10.
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Track 3 – Aahun Aahun – This is my favourite song in the album so far !! A different side of Pritam’s work that I have never heard before. He demonstrates talent competing outright with AR Rehman on this one. The vague guitar at the start leads into 70′s disco effects with Master Salim’s phenomenal Punjabi lyrics. If you have not heard of him before then look for a song called “Teri Sajni” and you will find out how talented this man is. The beat when it comes in shocked me like the beat in “Genda Phool” did. The fusion of Neeraj & Salim’s voice is genius along with great looping & vocal scatting effects. This is so 21st century with roots set in traditional Indian music. I love the lyrics too with a good mix of English, Punjabi & Hindi. Aahun Aahun is totally catchy & genius. Production at it’s best.. 9.5/10.
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Track 4 – Dooriyan – Pritam tries to create another “Tum Se Hi” style slow romantic number with Mohit Chauhan but does not do too well. This song does not have the simplicity of Tum Se Hi in lyrics & composition although it has great deep meaning lyrics. The music & arrangement are average with a good flute solo in the middle. Mohit’s vocals are great as usual but not the best. This song might work for some for not for the masses. 7/10.
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Track 5 – Ajj Din Chadheya – I somehow knew there will be a song like this in the album. Typical Pritam.. & thus he brings in Rahat Fateh Ali Khan. An almost acoustic romantic song for the background. Very basic instrumentation but very neat & calm.. Love the acoustic guitar work!! Good lyrics about a man talking to God about what he wants for his love & how badly he wants her. The combination of powerful lyrics with soft music & vocals is striking. Great job. 8/10.
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Track 6 – Thoda Thoda Pyar – Am hearing a good typical Mehndi night Ladies Sangeet type of a song after a long time. This one is different too with a good mix of Dholak, Tumbi & Dhol to typical Punjabi shouts from a good all female chorus. Sunidhi then takes the lead to give a true Bollywood song.. something like you would have last heard in the 90′s. No comparison to Pritam’s Punjabi song production skills as he is the best at that.. but what is worth noting is Irshad’s lyrics who creates a great Punjabi intro rhyme and main lyrics that fit the composition really well. A must play at all weddings in UK. A definite hit with the desi ladies. 7.5/10.
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Track 7 – Main Kya Hoon – This is probably the only song I don’t like on this OST. Doesn’t quite fit the bill. It sure add’s variety but does not seem to gel with the variety above. It’s got this trippy trance synth to a slower beat. It is something you would hear in a remix but definitely not in an original. The lyrics & KK’s performance are average too. Hate the vocal effects Pritam has used on KK’s voice. Skip this one please. 5/10.
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Track 8 – Twist (Remix) – DJ Sanj from US is back with Pritam after doing a dudd job in Aa Dekhen Zara. But this time he does a good job. I love this mix. This is the one that I have already started playing at my parties & it works beautifully with the crowd. People love it.. I love it… This is good with a double beat grove & female rap but still sticking with the Nagin style. Neeraj’s vocals sound much better here. 7.5/10.
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Track 9 – Chor Bazaari (Remix) – DJ Sanj goes the Reggae beat side for this remix. Although it sounds fair & doesn’t sound too bad.. but I din’t quite enjoy this one much. I could do without it to be frank. 6/10.
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Track 10 – Aahun Aahun (Remix) – Reggae done.. it’s Bhangra time.. !! I loved the original and now this remix thrills me too. Instead of taking Pritam’s innovative music, Sanj takes his innovative composition & Salim + Neeraj’s great vocals and blends them to a Dhol beat with Punjabi shouts. This now sounds like a normal song & not an innovative experiment. You can imagine this to be original & the other to be a remix. Both are great though. 8.5/10.
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FINAL WORD
Really Good – 7.5/10.
Bollywood has been waiting for a biggie this year. This is it.. !!
Love Aaj Kal is commercial Bollywood at it’s best this year. It has the big dancefloor number called “Twist”, the romantics “Dooriyaan” & “Ajj Din Chadheya” and the fun song “Chor Bazaari” & “Aahun Aahun”. A overall complete package of good commercial Bollywood music that the masses will like all over the world.
Pritam uses all his favourite singers like Neeraj, Rahat Fateh Ali, Sunidhi & Mohit Chauhan.. & they do not disappoint him. Pritam is back in form with some fantastic work in “Twist” & “Aahun Aahun”. These songs are already getting lot of hype and air play on Radio & TV. With the movie release (July end) & some good filming by Imtiaz for these songs.. they have the potential of being the biggest hits of the year !! Twist is going to be a rage..!
A must buy CD as it is total value for money and pure funnnn for the UK audiences !!
Yash Raj films is back with Aditya Chopra producing NEW YORK with a highly commercial cast of John Abraham, Katrina Kaif, Neil Nitin Mukesh & Irrfan Khan. The movie is directed by Kabir Khan who’s last directorial venture Kabul Express was a flop with average reviews & a couple of decent songs on the OST. But with New York your expectations are bound to be higher as it is first of all a Yash Raj movie.. then has the hottest cast in Bollywood right now.. is based in the most glamorous city in the world.. plus it has Pritam doing the music.. All in all it has commercial written all over it !!
But on the other side the agenda of the movie gets you wondering if New York is a commercial music hit maker.. If you don’t know what the movie is about.. have a look at the wallpaper above..
Cant spot it..?? Look closer…
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Yup.. so you spot the ghost of twin towers there & so you know the movie is about 9/11. Not really about the attack but the after effects on the life’s of 3 Muslim students in New York. I still expect the OST to be bright & fun with a few elements of romance & a few serious songs.. Lets find out if it actually sums up to our commercial value expectations..
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REVIEW
Track 1 – Hai Junoon – Doesn’t sound like the start of a commercial album.. Well maybe it’s not then..!! KK renders his soulful Yaaron style vocals but the overall performance is average all thanks to simple & average music composition by Pritam. It has the typical soft college rock style which might go with the movie story but is overdone & cliche in the music market.. Lyrics by story writer Sandeep Srivastava are good & hold the other elements together making it a fun listen.. but with nothing special.. 5.5/10 .
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Track 2 – Mere Sang – Another non-commercial song..! The flow of this album is telling me it is more of a off-beat serious style of a album rather than a fun up-beat Yash Raj type.
Sunidhi Chauhan sings this song using her softer tone & sublime style. It’s not the best side of her & sounds monotonous. Composition style & arrangement by Pritam are just about the same as Track 1 & million’s of other such songs. It lacks innovation.. not just on the music side but also on the lyrics by Sandeep. It’s a decent one time listen but you may not like to come back to it.. 5/10 .
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Track 3 – Tune Jo Na Kaha – Finally something different with still on the down-beat lounge style… n I like that style.. Mohit Chauhan’s voice does something to a song.. it creates a vibe & gives it the depth of feelings. A romantic ballad with good lyrics that are perfect for a chilled out evening, sitting in the balcony in moon light.. Try it The composition is simple with a good arrangement of backing vocals, light string instruments & a neat flute solo. Overall the track works for me.. 7/10.
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Track 4 – Aye Saaye Mere – The Persian style of this song is the work of Pankaj Awasthi. He has composed & sung this song as well. It’s the song with a message that would play in the background half way through the movie in a sad sequence. Very situational with an intense vibe. The lyrics are by Junaid Wasi & are pretty good with a traditional poetic feel to it. It’s a good song but lacks commercial appeal because of it’s theatrical situational feel. Listen to the lyrics carefully.. “Na Koi Kaala Na Koi Gora.. Ik Rang hi Sabhi ko rang de“. 6/10 .
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Track 5 – Hai Junoon (Remix) – Remixed by Julius Packiam. I have never heard his work before but this is a good start. He plays around well with KK’s vocal harmonies at the start & concentrates on his vocals throughout the mix which is a good relief. The beat is simple & makes the original more fun to listen to. The song now has this energy that it needs to go with the feel & lyrics of the song. 6.5/10 .
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Track 6 – Mere Sang (Remix) – Julius does a decent job trying to revive this dead track. I dint enjoy the original at all.. but this is bareable. There is not much scope in the original to play around with & the best creative element that Julius could come up was to add a subtle tabla sample throughout with ‘Hai Junoon‘ shouts which mix well. 5.5/10.
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Track 7 – Sam’s Theme – Sam is John Abraham in the movie. The theme makes his character sound like a serious & troubled guy.. Doesn’t go very well with John’s glamorous girl man looks & charm. Sound like he is experimenting.. lol. Good in a way.. as we’ll come to know if he can act.. !
Caralisa Monteiro’s classic vocal harmonies are truly amazing while our remix man Julius Packiam shows he’s not just the one with beats. He can surely compose & deliver good theme music to the standards of Yash Raj films which is a common feature in most of their movies. I like this classic music piece as it has some really good orchestra work. 7.5/10.
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Track 8 – New York Theme – Electric guitar’s with tribal drums give this instrumental the intense feel that describes the movie for us.. NO it’s not a fun commercial film.. but rather a serious flick with a message to convey. Sounds like something I have heard before. 6/10.
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FINAL WORD
Average – 5.5/10
The soundtrack for New York is nothing special. It does not even have the basic elements of a Yash Raj movie. No fun dance tunes, no big romantic numbers & no Bollywood style biggies either. An off beat non-commercial album totally opposite to our expectations.. and it is not even outstanding in it’s off beat category. Ignore this OST as am sure you can do without it in your collection.
EK – The Power of One is supposedly going to be the next super action bonanza after Ghajini. Bobby Deol is set to bring to the screen what the men in his family are best known for – Action.. n lots of it.. !!
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Ek is a remake of Telugu movie – Athadu and is directed by Sangeeth Sivan who has previously done movies like Apna Sapna Money Money and Kyaa Kool Hai Hum. The man makes average movies so we don’t expect EK to be huge. But his movies always have decent music with a couple of songs that do well on the charts. Plus this is a K Sera Sera production and we have the man Pritam doing the music. The last decent piece of work from Pritam was Billu with a few tracks doing really well from the album. But Ek has been in production for a long long time. So am guessing the music of this must have been done by Pritam way before his recent projects.
He has Shabbir Ahmed doing the lyrics with him who has been quite busy recently with a number of Bollywood projects under his belt. He has been around for the last couple of years but he seems to be finally getting the big deals to work his pen on.
Lets find out what this 5 track album has to offer. I don’t have expectations for anything more than average here.
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REVIEW
Track 1 – Sambhale – “URL”.. funny name isn’t it.. lol.. That’s the man doing the rap on this track with Sukhwinder Singh and Sunidhi Chauhan leading the vocals. Sukhwinder’s vocals work the best for Bobby Deol so he must have been Pritam’s obvious choice and he does well too. Sunidhi sounds classy after a long run of flop songs in the recent time. The song has a wedding setup as seen in the promo’s and the composition does justice to that. It uses Dholak with a very simple 4×4 beat that you hear in most Mehndi songs as the primary instrument with Tumbi adding to the top end of the arrangement. The lyrics are simple with the Punjabi touch and are catchy. This song should work well in the UK with the wedding season coming up. It’s easy going but not the best wedding song you would have heard. 7/10 .
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Track 2 – Sona Lagda – This is mainly a Punjabi folk song with the original lyrics and composition. The music has been recreated and recorded by DJ Phukan and not Pritam. He does a decent job there keeping it simple and melodious. The best part of the song is the return of the lady missing from the vocal scene for a while now. She is the one who brought remix pop to India with tracks like Kanta Laga & Kaliyon Ka Chaman. Good to see she is still brilliant as ever. I like this track for it’s simplicity with which the romantic message is given out. Very Bollywood with the choruses as well. 7.5/10.
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Track 3 – Tum Sath Ho – Pritam got Abhijeet back in Billu with a second version of Khudaya Khair and now gives him a track of his own with Shreya Ghoshal. I love his voice for it’s youthful flavour and Shreya compliments him very well too but with some unnecessary echo/reverb on her voice. Don’t really see why.. :/ The lyrics are good but not brilliant. They sound like you have heard them somewhere before. The music has drums as the main instrument with a prominent beat. It’s different than the usual romantic songs with a good blend of natural drums with flute. I find the end quite abrupt though. 6.5/10 .
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Track 4 – Bang Bang – Here comes a full fledged rock song with lyrics by Mayur Puri this time. This song is loud and sounds perfect to go with the action theme of the movie. I am quite impressed with the vocals of yet another Bengali dude Pritam sources from Kolkata. Rana Mazumder is the name of the man here whose voice perfectly blends with the instrumentation in this song. The dirty electric guitars on synthetic bass and power drums give this song a nice vibe to head-bang with. I think this is the best rock song I have heard come out of Bollywood in the recent times. 7.5/10.
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Track 5 – Sona Lagda (Kilogram Mix) – Remixes usually kill the vibe of such romantic songs. This mix is no different. I am not quite found of Kilogram’s mixes anyway from their recent spate of flop mixes. But for some reason Pritam likes them and keeps getting them on ! Not quite feeling this mix – 6/10 .
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FINAL WORD
Decent listen – 7/10 .
EK has no really big tracks and they have not filled up the album with a string of flop mixes and alternate versions like the current trend. Thus the average overall score comes out to be higher for this OST. You might not appreciate when you hear it the first time. But give it a couple of listens and you will land up saying “Not bad”. Of course it’s not the best work of Pritam… but it’s not bad either. As expected, it is an average OST with the true Bollywood sound.