DJ Munks.com

..

There are a very few talented writers in the Bollywood land.. Abbas Tyrewala is one of these extremely talented bunch. Whether it is a screenplay, dialogues, film story or song lyrics.. he leaves a mark behind. With his portfolio with some of biggest names like Main Hoon Na, Maqbool, Salaam Namaste and Munnabhai MBBS you would not doubt his talent with the pen. But his new found passion for writing and directing young love stories fit in a different league of their own and leave a stamp rather than a mark behind. Jaane Tu.. Ya Jaane Na was his first project and now Jhootha Hi Sahi is his next biggie starring John Abraham and Tyrewala’s wife Pakhi. In reality the story of the movie is her idea and concept while the screenplay, lyrics and direction are husband Abbas’s handy work. Quiet a good family affair and the trailers look exciting.

..

..

On the music front Abbas is trying to reuse the Jaane Tu formula where his lyrics meet the creative music head of the genius Mr. Rahman. the Oscar winner is still riding high on his recent successes of Slumdog Millionaire, Delhi-6 and Raavan but the radio channels are also playing his Robot music which has seen a lot of negative comments for his work. He is truly better than what he has produced there.. and so it remains to see if Jhootha Hi Sahi can help him keep his head above the criticism levels. The expectations from him are always high more so now with the Oscar fiasco… and I am sure Abbas will bring out the best of him. For a movie based in London the music should definitely have something for the London audience from the most versatile music man in the business. Let us play and find out what this duo have in store for us for this off-beat sublime romantic comedy.

..

REVIEW

Track 1 – Cry Cry – You must have definitely heard this tune on the TV music channels and some of the Asian radio channels as this song has already found its way up there. Rahman & Abbas had featured newcomer Rashi Ali in Jaane Tu.. Ya Jaane Na simply making the man’s career. You ofcourse knew he would be opening their next OST album after he delivered a brilliant vocal. His vocals on Cry Cry are just perfect as well. He sings it in a very low key with a soft touch to it which gives the song a very natural touch of a man singing at home rather than a pro in a studio. The lyrics are fun and of the Kabhi Kabhi Aditi style.. Aditi was about trying to make one smile and this song is about making one to stop crying with a good message. The Mumbai touch comes with the kayko slang used throughout. Shreya does her vocals in her true classy style too but not her best work as you don’t see the full potential of her vocal range.

The most outstanding part of a song with which the name Rahman is associated is the music. Cry Cry in its soothing style has a simple tribal drum beat on a single drum giving you the lows, a deep keyboard bass note on the mid’s and a continuous shaker on the highs. The other variations that come in are classical acoustic guitar, saxophone & flute solo that fill up most of the frequency range. You barely hear any traces of other sounds. Keeping it simple but beautiful is the genius of a man named Rahman. A song for the music aficionados. 8.5/10.

..

Track 2 – Maiyya Yashoda (Jamuna Mix) – Javed Ali’s vocals have been around for nearly a decade and still a pleasure to hear his voice. He still has the youthfulness & charisma in his voice although there is not much for him to show in this song. Chinmayi on the other hand you find featured mostly only in Rahman songs. The classical and traditional flavour of this song is a good east meets west demonstration. The lyrics have been well composed to recite a little story in a fun composition. Called the Jamuna mix for the very traditional touch to the music using modern instruments by Rahman. The deep bass in the background fills up so beautifully that you don’t even realise it is around unless you look out for it. The flute solo at the start is very cute while the tempo pump up for the latter of the song is exciting. Most prominent part of the song is the outstanding sitar solo that blends in like chocolate in a chocolate cake. Overall the song lacks a mainstream approach but musically it is still a piece of genius with the sitar solo. 7/10.

..

Track 3 – Hello Hello – The movie is about a phone call and telephonic friendship. This song is situational and seems to be around to fill a desperate need of the script. The lyrics are purely average and the music has nothing innovative to offer. The composition is very Rahman style and his south Indian modern music influence. The vocal effects on Karthik’s voice make it totally distinguishable as a Rahman job. The use of an orchestra is a waste. Skip this song. 5/10.

..

Track 4 – Do Nishaaniyan – Sonu Nigam has sung very few but amazing songs for Rahman. This composition is probably one of them. The lyrics and ambiance of this song along with the texture of Sonu’s voice reaches the next level in lounge music. A perfect song for weddings in the background and in restaurants while having a candle light dinner. Sonu’s control on his vocal pitches on every syllable of a word is worth all the praise. The lyrics by Abbas are rhythmic and touch the soul. Although the music might sound like many others we must have heard before but the overall feel & instrumentation fits brilliantly. A really good track. 7.5/10.

..

Track 5 – Pam Pa Ra – 2nd Shreya Ghoshal song on the album and this time it is a solo. The na na na na.. start to the song must be the creative simplistic genius of Rahman. The expectations really drop when the main vocals and music start. The lyrics are purely average if not boring. The music loses its momentum but then comes back with more instrumentation and excitement. There are just many ups & downs in the music throughout the song. The variations & orchestration is good but just too much. The vocals are probably only good and consistent factor of the song. 5/10.

..

Track 6 – I’ve Been Waiting – Vijay Yesudas returns to music after a 3 year slump. He has been around for decades and it seems Rahman has pulled him out of the dungeons for a brilliant blues composition. Only Rahman could be experimenting with music genres like this. A pure blues jazz orchestra gives this song the perfect melody and support to Vijay’s excellent vocals. The lyrics are simply brilliant, pure and perfect blend of English and Hindi.

“I’ve been waiting for the moonlight. I’ve been waiting for the moonlit sky all night…

Stranger in the moonlight, I’ve been waiting for a lifetime for you..” 7.5/10.

..

Track 7 – Maiyya Yashoda (Thames Remix) – The western mix of Track 2 sounds almost the same except for a synthetic drum beat in the background and more effects on the vocals. It has a good amount of Indian instrumentation on it. It still has the fantastic sitaar solo to complement the western drum beat. Can’t give this version much credit as it is almost the same. 6.5/10.

..

Track 8 – Do Nishaaniyan (Heartbreak Reprise) – The absolutely perfect vocals of Sonu Nigam in Track 4 just sound better all of a sudden in this version. So soothing, calm, ambient, pure and brilliant. The background flutes and keyboard/piano work by Rahman is simply breathtaking and perfect to every note. A true classic in the making. 8/10.

..

Track 9 – Call Me Dil – This is not the normal Bollywood OST trend to have an original as the last song of the album after remixes but it kind of works here as this is the title song. The song is not brilliant in any aspect but just works with the feel of the movie and Rashid Ali’s voice. The lyrics and composition are average. Not much to check out in this song. 6/10.

..

FINAL WORD

Average – 6.5/10

What Jhootha Hi Sahi lacks musically is consistency between songs. The vision and feel of the songs is consistent but the brilliance and beauty of every song is inconsistent. Except Cry Cry, Maiyya Yashoda and Do Nishaaniyan other songs are purely average. The OST clearly has the stamp and feel of a Rahman album with a fair bit of his creativity and uniqueness with certain advantage of having a Abbas Tyrewala as the director & lyricist in one body thus making it easier. But as I guess some songs demanded being average to go well with the script of the movie as I can’t imagine an average job from the geniuses of Abbas & Rahman. Overall I would recommend the movie without even watching it.. but not to buy the OST. It’s not there and that is why they have included a disc 2 with Karaoke version of the full album. Just get the top three songs. Album of Sa Re Ga Ma Pa – HMV.

..

Sikandar seems to be a very offbeat movie with an intense subject to potray. The film is based in the picturesque setup of Kashmir with the sensitive subject of influence of terrorism on school children. Sikandar is a thriller about a school kid who finds a gun lying on the road on way back home & how that changes his full life. This will surely be an intense film & stars Parzun Dastur [Tussi Na Jaao Sardar kid of KKHH.. ] along with Sanjay Suri and R Madhavan. Sikandar is written and directed by Piyush Jha and produced by Sudhir Mishra.

..

For such offbeat, intense & small budget movies, the music is usually not much to look forward to. For a non-commercial movie the music will never be commercial !! Plus offbeat movies like this usually use music as a tool to add narrative to the script or use as a background score. Thus the expectations are not sky high. One only expects the music to be soothing, meaningful, have some kind of a narration & with good instrumentation reflecting the culture of the Kashmir valley.

The music of Sikandar has some big names associated with it including the likes of Prasoon Joshi and Shankar Ehsaan Loy. Lets find out what the album truly delivers…

..

REVIEW

Track 1 – Dhoop Ke Sikke – It is said that superstar lyricist Prasoon Joshi saw this movie and was so inspired that he went home & wrote a lovely poem. Producer Sudhir Mishra loved it soo much that he decided to use it as a song in the movie. Shankar Ehsaan Loy worked on the music .. and the final outcome was this song in the voices of Shankar Mahadevan & Anusha Mani.

The song is true to the hype as the SEL boys always make magic when with Prasoon.. like they did when they made Maa for Taare Zameen Par. The lyrics are brilliant and the music has the soothe touch to a soft rock rhythm. The lyrics sum the scenic beauty of Kashmir with suttle references while it talks majorly about the innocence of a child and how the society influences their future. It sure is a good listen & I love the start with Anusha’s vocals. 8.5/10 .

..

Track 2 – Gulon Mein (Serene  Version) – This kind of an OST would sound incomplete without the vocal touch of Mohit Chauhan [last heard on Masakali from Delhi-6] . The lyrics of Neelesh Misra are truly serene. They are deep, touching and thought provoking. The music by Justin-Uday is soft and easy to the ears. Its majorly acoustic with some great guitar work. A must listen track all in all as Mohit pulls the spot light off Shankar from track 1. 8.5/10 .

..

Track 3 – Arzoo (Naat) – This is a traditional song sung in a purely religious style by a village boy named Mehrajuddin from Aru in Jummu & Kashmir. His style portrays raw talent and has the depth & recitation style of the mountain valleys. There is no music & his vocals carry the track thru for 2 minutes in style. 7/10 just for this tenagers voice.

..

Track 4 – Allah Hoo – Justin-Uday are on a roll here and show their true talent after giving music for Hijack. Allah Hoo is a true Sufi ambient track. The music is simple & thus pure and soothing to the ear. I cannot imagine the music to be any better on this composition than it already is. They let the vocals by Yash Narvekar and Hrishikesh Kamerkar do all the talking and they do it in style. These 2 new singers are here to stay as no music instrument is better than the human voice. They both are gifted. Must mention lyricist Kumaar does an excellent job as well. Simple.. but Great listen !! – 7.5/10 .

..

Track 5 – Gulon Mein (Upbeat Version) – The lyrics by Neelesh Misra have a different voice this time with KK giving it a rock touch that he brings with him to most of his tracks. The vocals are average though. Sandesh Shandilya [who's previous work includes movies like Chameli & K3G] does a decent job but nothing extra ordinary or worth noticing. Is he loosing his touch..? But thank God he has kept it simple and not made a remix out of it.. The upbeat version is not really upbeat except for the soft rock composition style. 6.5/10 .

..

Track 6 – Manzaraat – Finally we get a Kashmiri song in theme with movie but the sound is totally different than the soft rock & sufi feel in the album so far. It sure adds variety to the OST but fails to impress as Shilpa Rao’s vocals, Justin-Uday’s music & Kumaar’s lyrics are all average. At times it sounds like Bhumro but doesn’t get close to the quality of that song. 6/10 .

..

Track 7 – Chaal Apni – This is a romantic upbeat number with a Kashmiri compositional touch again to a modern digital beat. I would have called it to be average but the more I have heard it, the more I have started dis-liking it. I have come to a point where I can’t stand it. The music by Justin-Uday just doesn’t work and the singers Hamsika Iyer & Hrishikesh Kamerkar fail to impress here. Please end the album at track 6. 4.5/10 .

..

FINAL WORD

Niche, Average – 6.5/10 .

As expected, it is not an OST for the masses but for the niche classes who enjoy sufi, lounge and soft rock. I would give it a higher rating & call it “Above Average” but the OST lacks any kind of commercial value and stays totally focused around the script of the movie. But the songs are good individually. The lyrics are deep and beautiful for the first few tracks. The singing renditions are brilliant by the maestros. Buy this album if you like to experiment with your music and like the calm of chillout music. If you are a commercial junkie.. then stay away from this soundtrack.. !!

..