Posts Tagged ‘Salim Sulaiman’

BAND BAAJA BAARAAT – BOLLYWOOD MUSIC REVIEW UK

Friday, November 5th, 2010

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Pyaar Impossible, Badmaash Company & Lafangey Parindey.. 3 average movies on the box office this year by Yash Raj Films. They need a big hit to make up before this year ends. Will Band Baaja Baaraat (BBB) be that big hit? Who knows.. we will find out on the 10th of December. What we know is this movie launches two new careers. Director Maneesh Sharma is the new man behind the camera while lead actor Ranveer Singh is the new face in front of the camera. He is the son of actor Sunny Deol if you don’t know that already. Thus the man has some big responsibility on his shoulders considering his fathers & grandfathers fantastic reputation on the big screen. Lets hope he can make it work on screen with Anushka Sharma in a movie about weddings in Delhi.

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Winter time in Delhi is the season of weddings. For a movie on that theme & based in that city, the expectations are really high on the music front as it should be able to deliver the music that will be playing at every party of every wedding in this peak season. The guys who producer Aditya Chopra can close his eyes and trust to deliver big hits is the pair of Salim-Sulaiman. Rab Ne Bana Di Jodi & Aaja Nachle are couple of the big names of their handy work. Joining them are Amitabh Bhattacharya writing the lyrics and the projection of debutant director Maneesh Sharma. It will be interesting to hear what Delhi sound can this album bring to the market in peak wedding season. Let us listen..

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REVIEW

Track 1 – Ainvayi Ainvayi – Quite a tune.. Salim Merchant voices this song himself with Sunidhi Chauchan. This is after a very long time that I am loving Sunidhis work in a song. Her vocals are bang on with the perfect texture & tone in a song style that suits her perfectly. Salim kicks butt too.. The music is a really good mix of the Punjabi tumbi start & blends into a modern deep base beat pattern. The music is funky and works in the growing & evolving Delhi music scene. It is not a style of music that you would have heard in Bollywood. The lyrics hook line Ainvayi Ainvayi is soo damn catchy & will stick in your head & your tongue for a long time just after the first listen. The lyrics are proper Delhi talk & work very well. This is still not the traditional Bollywood dance songs & so will take some time to grown in the market.. and even longer in the super traditional UK Asian music market. But for the music innovation I give it 7.5/10.

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Track 2 – Tarkeebein – The brilliant voice of Benny Dayal that Rahman once discovered is still one of the most smooth voices in the industry. Salim teams up with Benny on the vocals and they sound unique & fresh together. A good partnership on some fantastic lyrics by Amitabh. Really love the flow of the lyrics on this song which talks about ideas, confidence and the fight to excel in this world. This could be the anthem of the college kids this year. The music is really cool with a unique beat pattern with some exciting mix of sitar & harmonium on this modern mix. Like this song. 8/10.

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Track 3 – Aadha Ishq – The queen of romantic Bollywood songs – Shreya Ghoshal gives this song some effortless vocals. The mix on her vocals does not seem right at some points but I guess that is just me… Salim-Sulaiman cannot get that wrong. The music is an average traditional romantic composition. Nothing flashy about it.. but the highlight of this song are the lyrics. The title hook Aadha Isha has been very well placed in by Amitabh delivering a beautiful song. This song will easily find it’s way to the radio waves but will not rock the boat a lot here in the UK as it lacks stunning music & vocal work. 7/10.

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Track 4 – Dum Dum – Another Benny Dayal number this time with Himani Kapoor who has not been around for a long time. She does well but does not create a lasting impression. The lyrics are catchy but the music composition is not. Although Salim Sulaiman do a lot with the music with fantastic instrumentation & creative use of bass guitar & percussion, it still lacks mass appeal. It sure is a different & good song but something about it does not stick and create an impression. I think it is the arrangement & composition. That is why probably it has been placed in the middle of the album as it could not make place anywhere else in the OST. 6.5/10.

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Track 5 – Mitra – The creators of the song jump on the mic here as well. Lyricist Amitabh & Salim sing this song quite well. It is an easy going number for some background listening in your car after a tiring day at work. A song about separation & loosing your friend but with a rather bright composition. It is not a dark song that will make you cry & thus I like it more as it is a contract of emotions on the music & lyrics front. Something really cleaver & well done by both these boys. It is very situational & the music has a good use of synths & keyboard work with guitars. Must listen song. 7.5/10.

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Track 6 – Baari Barsi – Finally the wedding Punjabi number we have been waiting for. A salute to Salim Sulaiman & Amitabh for what they have done with this song. The traditional lyrics of Baari Barsi has just been totally transformed into a modern spin off with a bold pop RnB beat with a very cleaver use of shenaai & dhol. It still has the classic fast typical Punjabi clossing of the song which will surely get you up on your feet. The lyrics are very interesting and new. It still incorporates all the family members in the rhymes and gets them up to very modern phrases. Vocals by Harshdeep Kaur & Labh Janjua are brilliant. It is absolutely fun when Labh Janjua says “buggi wuggi” instead of “boogie woogie”.. lol. Check this song out as you hear it in the next wedding you attend. Fabulous work. 8/10.

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Track 7 – Band Baaja Baaraat (Theme) – This is soo the new sound of Bollywood.. and the new sound to be of Indian weddings. A complete modern version of your traditional brass band at a baaraat. It is brilliant & perfect creative musical mix by Salim Sulaiman. Love this short 1:55 duration piece. The instrumentation & arrangement of the various instruments & effects is just genius. It is experimental & learning for music producers around the world. 8.5/10.

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Track 8 – Ainvayi (Dilli Club Mix) – This dude Abhijit Vaghani brings in a new sound to remixing all together in Bollywood. He seems to be re-inventing Bolly remixes. He is producing some really classy remixes that have spirit & essence and have not been done just to fill up the CD. This is quite an upbeat & the name clearly describes what sound is working in the Delhi clubs these days. The vocals have been re done by our UK boy Master Saleem of Kangna fame with Sunidhi. The effects & rhythm of the song is bang on the money. This is to be my next favourite mix song for the London parties. 8/10.

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Track 9 – Dum Dum (Sufi Mix) – Ok now.. this mix does not really work for my. It is by Abhijit & in his support he surely has done something different & unique with the original with new more powerful vocals by Sukhwinder Singh. But the song in itself and the whole idea just does not work. The sufi side of it is not even clear.. It completely misses the trick. I rather don’t like this song at all. 5.5/10.

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FINAL WORD

Very Good – 7.5/10

Except for one composition of Dum Dum, rest of the songs of BBB are pretty cool and right there where you would call it a good album. All credit goes to the innovation, creativity and pure musical talent of Salim Sulaiman and the beautiful lyrics of Amitabh Bhattacharya. The performances by the singers are good as always with a come back by Sunidhi Chauhan. The OST lacks a huge range & variety of music but it delivers on the expectations for a wedding centric movie. For the UK market the album will actually pick up & make the best use of its potential when the next wedding season kicks in the summer. Till then it will be slow & steady rise in popularity for this OST & it’s Punjabi numbers Ainvayi Ainvayi & Baari Barsi. Tarkeebein & the theme song are my personal favs. Buy this album. Music on YRF Music.

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KAMBAKKHT ISHQ Movie Review

Friday, July 3rd, 2009

The much anticipated big release of Summer 2009 is here….

Kambakkht Ishq comes up true to expectations.

I expected Kambakkht Ishq to be better than Chandni Chowk To China… IT ISSSS.. !!!

I expected to be sleazy, dumb & crap… IT ISSSS !!!

If CC2C was super bad.. This is BAD…. n that’s a relief !!

Yup, I wasn’t expecting a great deal out of Kambakkht Ishq. The trailers looked stupid with the typical Akshay Kumar sleezy humour & extravagant senseless sets increasing the movie spend around a dumb script. Also, since it is a Sajid Nadiadwala movie you can expect it to be that weird style of comedy that you have seen in movies likes Judwaa, Mujhse Shaadi Karogi & Heyy Baby.

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The only thing I was looking forward to in this film was to see if Kareena Kapoor has got any weight-age to her performance as she has been almost missing in action after Jab We Met & has only done a few rubbish films like Golmaal Returns & Roadside Romeo. Plus, I wanted to see how have they managed to fit Hollywood stars like Sylvester Stallone, Denise Richards & Brandon Routh into a Bollywood script.

Another thing to figure out is if Director Sabbir Khan has any talent whatsoever in handling a big budget project like Kambakkht Ishq in his debut directorial venture.. Lets watch & find out..

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PLOT

Akshay Kumar is Viraj Shergill & the best Stuntman in Hollywood who does stunts for the likes of Brandon & Stallone. He is a total playboy who hates the concept of marriage. Kareena is Bebo/Simrita Rai who is an aspiring surgeon & also a supermodel when it comes to generating money to pay for medical school. She hates the concept of men all together since she has seen a lot of bad happen to the women in her family. Their paths are crossed when Akshay’s brother Aftab decides to marry Kareena’s best friend Amrita Arora. There is abuse, hatred, name calling, fighting, etc. all the time between them on every occasion they come across each other & that’s nearly all of the first half. In their ego trip fights they ruin Aftab & Amrita’s wedding too.

Akshay gets injured in a shoot & is taken to Kareena’s hospital for her first operation. She accidently leaves her watch inside his abdomen which keeps ringing a ‘Om Mangalam’ alarm every hour. She realises this later & now has to do everything possible to get pally with him & get him back to her operation theatre and remove the watch before he finds out and sue’s her career to an end. Over the meetings Akshay now is falling for her while she is just playing a game. She manages to operate & get her watch back but shue’s Akshay away. He is heart broken & now about to marry Denise Richards [for God's sakeee...!!! ] It’s now left to Kareena to see his soft humane side & fall in love with him & stop them before they tie the knot.

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REVIEW

The plot does sound funny when you read about it with the continuous fighting between two people who hate marriage & the whole idea of leaving the watch in his stomach. But believe me.. it’s not funny when you see it..!! Except for a few Akshay scenes I couldn’t even force myself to laugh at the rest. The worst part is you can see director Sabbir Khan is trying really hard to make you laugh in every scene but fails drastically.. His direction is not too bad but this man has also written the story & screenplay…  & that’s where he has ruined the movie !! The script is a disaster to say the least for a story that could have been really funny.

The amount of money spent on this movie is ridiculous & seems like a total waste. Totally set in LA with some parts in Italy. The cinematography & locations are all good but that’s it seems they worked on. The script & performances were neglected. They have managed to fit the Hollywood stars well in the few scenes they have but all other performances are average including Akshay & Kareena. Thankfully Akshay is not overacting as was seen in CC2C & is funny in some scene. His action stunts are good & so are his dances in the songs. Kareena has acted like she did in KKKG with the good looking snob character. Her acting is plain average & it’s thus hard to believe she even did a movie like Jab We Met. She is looking super fit, glamorous & hot no doubt. That’s probably the only thing worth going for the guys.

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HIGHLIGHTS OF THE MOVIE

- Slumdog Millionaire was Hollywood goes Bollywood. Kambakkht Ishq is Bollywood goes Hollywood.

- Some major Hollywood stars appearing in this Bollywood flick.. although briefly.

- Great locations. Good sets. Good cinematography.

- Very good costumes, glamorous look to Akshay & Kareena giving a global fashion outlook to Bollywood in a new style.

- Kareena & Akshay looking very fit, stylish & good together.

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LOWLIGHTS OF THE MOVIE

- Absolutely stupid story.. what makes it worse it rubbish execution of it.

- Barely funny & thus should not qualify as a romantic comedy.

- Script & screenplay are bad with too many loose ends & unwanted.

- Actors like Javed Jaffery, Kiron Kher & Boman Irani are totally wasted on comeo’s. Javed & Boman don’t even have any connection to the main story.

- There is too much show of skin all through. They have forgotten tradition, culture & ethnicity.

- There is name calling, abuse, etc. desperately put in to instigate humour. How low & desperate can they get !!

- Exorbidant sets & expensive locations used to cover a poor dumb script.

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FINAL WORD

Below Average – 4.5/10.

This movie will only make you laugh if you go to see it in a theatre to a full hall with loads of friends. And if you do enjoy it then, then thank the company & not the movie makers. Else the only other reason to watch it is to see Hollywood, LA, Italy and a super sexy Kareena Kapoor who is barely wearing anything. The women can go for Akshay if they like.

The UK audience will not like this movie.. cause we watch Bollywood films so that they take us closer to our homeland & culture. Kambakkht Ishq has forgotten it’s a Bollywood movie.. if we do want to see skin show, sexy dresses & Hollywood stunts we can might as well watch Hollywood movies. This flick crosses boundaries of decency at certain levels. But hey.. they are using all this to cover up a crap script they wrote.. That’s only fair on their part to do. I call this another failed Akshay movie this year & a disappointment from Kareena.Save your £7 for a better day in this recession.

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8×10 TASVEER – BOLLYWOOD MUSIC REVIEW UK

Monday, March 23rd, 2009

Am a big fan of director Nagesh Kukunoor‘s work; Iqbal, 3 Deewarein & Rockford being my favourites. Am thus really looking forward to this movie. The biggest advantage this movie has is the massive name of Akshay Kumar associated with it. Hence the expectation’s are high from the movie.. NOT the music.. !!

Except for 1 song in Iqbal & 1 in Rockford, there is nothing extra-ordinary in the music of Nagesh’s films. From the trailers on the tele so far, the of music of this film seems no different.

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8×10 Tasveer is a psychological thriller under the Percept Pictures Company Banner & is produced by Shailendra Singh. Starring along with Akshay are Ayesha Takia, Sharmila Tagore, Girish Karnad, Javed Jaffrey and others.

Although Salim-Sulaiman are the main music directors for this OST, they have help from singers Neeraj Shridhar & Bohemia doing the music of their own tracks. Lyrics are by Irfan Siddique for the main tracks, while Sameer & Bohemia pen one each.

Love the cover with that look Akshay has.. sure does catch your attention. The package inside seems to be the common structure these days with 5 main song & 5 remixes. Lets find out if this OST has the zing..

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REVIEW

Track 1 – Nazaara Hai – We got the exclusive of this song a week before it’s release and thus have been listening to it since then. It’s managed to grow on me.. but just a lil bit. The deep electronic bass at the start caught my attention quite instantly but dint really enjoy the acoustic drums on this composition. The structure is quite standard rock with no innovation. Vishal Dadlani’s vocals are good but not the best. Suraj Jagan could have possibly done a better job. The lyrics are good & describe Akshay’s tale. The guitar solo’s in the 2nd half are great & make it better song. It’s one of the better rock songs with the recent trend of rock flavour in Bollywood music. 7/10 .

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Track 2 – Haafiz Khuda – Mohit Chauhan does what he does best again. But I guess I have reached a point when I want to hear a new style from him. His recitation style is soulful and heart warming but just like his other numbers; eg. Masakali. The compositional arrangement is simple acoustic instrumentation & sounds like a modern sufi number. Quite like the lyrics on this song with a strong Urdu poetry influence. Tulsi Kumar’s vocals are good too. 7/10 .

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Track 3 – Aaja Maahi – Neeraj Shridhar sings this song in his true Bombay Viking’s style with English lyrics at the start. Lyrics by Sameer are so simple and smooth that you can instantly fall in love with this song. Plus Neeraj ad’s his special touch to it not just vocally but also musically. His composition reminds you Chandani Raatein by Partners in Rhyme, except for the rock interludes. The lounge feel of this song makes it perfect for a romantic night with your partner. Quite like it but it sounds familiar to things you have heard in the past. Tulsi Kumar makes this song special. 7/10 .

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Track 4 – I Got The Picture – Be it getting RDB to the music scene in India from UK or Bohemia from USA.. Akshay always does it in style. This is the second time Bohemia comes together with Akshay after CC2C on Chandni Chowk To China. That track was average. This one is below average.. It fits the theme of the movie.. but does not fit Bollywood. Bollywood can only go till a certain distance.. Experiments in music genres beyond that don’t work. This one is like listening to Eminem – The Way I Am. 5/10 – only for trying something new.

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Track 5 – Kuchh Is Tarah – It is exactly the same as Haafiz Khuda but only with simpler & more romantic lyrics. I like this version more than Track 2. Salim-Sulaiman save on their composition work while Irfan does the main work of reviving the lyrics. Mohit & Tulsi give the exact same rendition to these alternate lyrics like Track 2. 7.5/10 .

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Track 6 – Haafiz Khuda (Remix) – Yet another wasted remix by DJ Amyth. This track so does not need a remix !! Also this remix does nothing much for the song commercially either. It’s light slow mix that can only be used in lounge mix warm up sets. 4.5/10 .

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Track 7 – Nazaara Hai (Remix) – Much better this time. Sounds like DJ Amyth put some thought in this remix atleast and has done a decently good job in converting this rock song to a Electro dance mix. I can see myself & many other DJ’s using this mix in their sets. Not a commercial hit though. 6.5/10.

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Track 8 – Aaja Maahi (Remix) – Don’t quite like this remix. It completely changes the feel of the original song with a very common beat pattern that you must heard on a few million dance tracks world over. Amyth tries to give it a trance feel but fails and manages to ruin the song all together. 4/10 .

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Track 9 – I Got The Picture (Remix) – Bohemia decides to remix his song himself without handing over any any rights to Amyth. I guess he heard his other remixes on this OST.. and thus.. a wise decision I say.. ! He literally cuts the song into half by bringing the 5 plus minutes original down to 2:46. I do like his work on this as he gives his dark rap a Bhangra touch with a funky break beat pattern. Works… 6/10 .

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Track 10 – Kuchh Is Tarah (Remix) – Cross Track 5 with Track 6 [5x6] .. What do you get..? Answer is not 30.. it’s Track 10. And the score stays the same.. 4.5/10 .

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FINAL WORD

Average – 6/10.

The actual score should have been 5/10 but I am being generous as I like Kuchh Is Tarah & Nazaara Hai a little more than the recent OST releases. T-Series the record label mess it up by adding below average remixes to an otherwise decent OST. 8×10 Tasveer is not for the masses nor for the classes. Kuchh Is Tarah & Aaja Maahi are probably the only 2 tracks that will get decent radio airplay in the romantic shows. The music composition, vocal performances & lyrics lack originality and the extra punch to make this album stand out.

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