DJ Munks.com

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Sanjay Leela Bhansali is a class apart. You have to admit that when you read names like Devdas, Hum Dil De Chuke Sanam & Black next to his name credits. The man is an artistic genius and his vision & direction is exemplary. The colours, cinematography, artistic camera work, fantastic performances with a good story are some of his strongest points that he brings to the table. Guzaarish looks to be another classic piece of work from him starring supremely talented actors Hrithik Roshan & Aishwarya Rai Bachchan in the lead roles. It shows similarities to Black in look & the disability concept where Hrithik is a disabled magician now pleading to be put to death. The concept is very interesting and I am sure the movie is the one to watch for at least excellent direction & acting by both the stars.. if nothing more.

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Ronnie Screwvala usually always spends his money wisely. Co-producing a movie like Guzaarish under the UTV banner is a big risk in a market that is recovering from recession & thus not taking risks with non-mainstream movies. He must have immense confidence & faith in the script of the movie and most importantly in Sanjay.

Sanjay has taken multiple roles in this movie.. Producer, Director being his usual roles.. but he is the music director for the first time for a full OST. He has done this before in his last movie where he successfully created a massive hit with his first composition – ‘Thode Badmash‘ from the movie Saawariya. He has now composed the full OST of Guzaarish with no help except for the lyrics of Vibhu Puri & A. M. Turaz. You ofcourse don’t know these 2 names as Vibhu is a newcomer and Turaz has never made a hit song in his 3 year career so far.

I am quite excited to hear this OST and see if Sanjay can bring the same emotions, his classic unique style & untapped vision in the aural domain as he quiet easily delivers these characteristics in the visual domain.

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REVIEW

Track 1 – Guzaarish – In his first project Sanjay has decided to at least play safe with his singers and use his most reliable vocalists who have delivered hits on his past projects. He gave K K his big break & K K gave him Tadap Tadap in HDDCS which is by far one of the most powerful songs in Bollywood & one of the most difficult songs to sing. But KK takes a rather softer touch to his vocals in this song. He gave Shail Hada his big break in Sawariya and he is here too but contributing mainly with background vocals. The lyrics by Turaz are brilliant. The song is purely artistic & theatrical with clear sad elements. Violins by Suresh Lalwani are just brilliant with some excellent guitar work. Kudos to Sanjay for the composition in the opening track. Watch out.. this song almost makes you cry. 7/10.

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Track 2 – Sau Gram Zindagi – The piano melody at the start of the song sets the tone of the song with the soothing voice of Kunal Ganjawala. The vocals are good and brings out a different aspect of Kunal’s performance capabilities but it is not the best of him. But the choice of taking him is evident as there are English lyrics towards the end and Kunal does them very well like many of his other songs. The whistling is great too & adds more definition to the song. The song is a recipe in a sing song fashion and explains the main characteristics of 100 grams of life. Very well & carefully written by Vibhu Puri. The orchestration in the second bridge is of Rahman calibre and shows the amount of effort & detail Sanjay has put in doing his first music OST. The overall composition is almost like a ghazal. I still love it. 7.5/10.

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Track 3 – Tera Zikr – I would like to credit musician Tapas Roy who plays the Odu on this track almost effortlessly. The music in the first 30 seconds of this number is very exciting and truly innovative in the Kashmiri style of music. The arrangement by Sanjay is fresh & noteworthy for any aspiring musician. Shail Hada finally gets his song as the main vocalist and he does not disappoint at all. It is almost like you have been waiting for him. He literally makes you welcome him. This song is probably now one of my all time favourites!! It is a piece of genius. The lyrics by Turaz are absolutely simple but gorgeous. I could kiss his hands for writing this song. You will fall in love with it. These lyrics make Shail’s job very difficult & you thus have to applaud his work when you have heard the full song. The instrumentation variety & arrangement is fabulous. A very unique set of instruments blend together over different ranges taking your mind & heart up the mountains. Even the use of Rakesh Pandit’s high pitch voice is a perfect fit to the song. I cannot find enough words to prise this song. Must hear!! 10/10.

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Track 4 – Saiba – After the Kashmiri mountains Sanjay now takes us to Goa & it’s Portuguese musical heritage. The Spanish guitar & bongo-Congo arrangements with Accordion give a good variety & range to the OST so far. The vocals by Vaibhavari Joshi, Fancois Castellino & Shail Hada are good for this Goan style of song. The lyrics are average & thus so the overall composition of the song. It is simple & thus nothing much worth noticing except the instrumentation. You can miss this & you won’t miss much. 6/10.

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Track 5 – Jaane Kiske Khwaab – This is very short & sweet song. It says a lot with a beautiful concept in a matter of 3 minutes with K K’s vocals. An acoustic guitar, cymbals & piano are all to accompany him. The words by Turaz are simply beautiful and touching. They say a lot in a few lines. The composition by Sanjay is good. A good listen. 7/10.

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Track 6 – Udi – This is a situation party song again with a Spanish dance music inspired tune. Probably used for one of magical performances situation in the movie. The rhythm is a good mix of Goan & Spanish musical styles but lacks the click factor to catch on. You won’t latch onto this song & sing along. The vocals by Sunidhi are good but do not show her full potential and talent. Lyrics by Turaz are average. 6/10.

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Track 7 – Keh Na Sakoon – This is another acoustic guitar & piano based song with very soft vocals by Shail Hada. The artistic flavour of this song is again in its composition & lyrics. “Keh Na Sakoon main itna pyaar, seh na sakoon itna pyaar.. itna pyaar karta hoon“. Such a deep & beautiful thought penned by late Jagdish Joshi & Vibhu Puri. The sad & loving expression is well reciprocated in the vocals and music of this song. The piano work by Jarvis Menezes is excellent. 7.5/10.

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Track 8 – Chaand Ki Katori – You will immediately notice the powerful & classical vocal style of Harshdeep Kaur make an impression on you. Her vocals go to a higher pitch with every line of the lyrics. She hits every note perfectly & then eases into the next note pitch. The vocals are very beautiful. The lyrics by Vibhu Puri are deep and very interesting. Concentrate on every word and you will notice the different aspects about life that Vibhu has covered in this song. Musically Sanjay uses a deep bass Flugel horn which I don’t think I have ever heard in a Bollywood song. It fits in very well with the vibe of the song. Great arrangement. 7.5/10.

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Track 9 – Daayein Baayein – Another K K song with lyrics by Turaz. Unlike most sad songs in this OST so far, this song takes you to a happier place under the sun. It does not have the dark indoor musical feel which comes with a good amount of strings and high pitch K K voice. The lyrics are happy & talk about happy lovely memories. Very good variation to the OST but as a standalone song it is not the best or a catch number. It is quiet average. 7/10.

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Track 10 – Dhundli Dhundli – The album ends with a very different and poetic song. It is still very artistic in every aspect and is also situational to the movie. The pitch keeps rising as this song has the pleasure of Shankar Mahadevan’s voice with some high pitch violin. The lyrics by Turaz are very well framed to the situation and are a story in itself. Musically this is a big violin orchestra work. Sanjay has conducted and executed it a perfectly grand and intricate style. This is a very well thought and well executed song. It has a system & different levels that it reaches on the music & the vocals. It is not a job of an amateur but a genius. 7.5/10.

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FINAL WORD

Very Good – 7.5/10

Sanjay Leela Bhansali likes to do things in an artistic larger than life way and this is very clearly noticeable in his music as well. For a first time music director he has done a fantastic job. You can easily compare the music of Guzaarish to international world music albums and you will not be able to undermine Sanjay’s work. He truly has the calibre to be the next Rahman.

What this OST & Sanjay’s style lacks is mainstream variety in the music styles. Whether he is capable of producing something like that is what needs to be seen to make him the next Rahman in Bollywood land. His attempt in Guzaarish is purely situational and is quite versatile within that domain. He does not explore beyond that. Most songs are average as they are within the same delivery style and thus limited. But there is definitely no bad song in there.

The vocal performances by K K & Shail Hada are the highlights with some phenomenal lyrics by Turaz and Vibhu Puri. Both should have really bright futures from hereon. I also have to give credit and mention all the musicians of Guzaarish as the instrumental work is very good. Sanjay deserves all the credit for managing this to the dot. For sure buy the album available on T-Series.

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Dharma, Sony and UTV Motion pictures come together for Mr. Karan Johar to do a remake of Stepmom!! Why why why..! Lol.. I am only kidding. I do understand that really good English movies don’t quite reach Indian villages and the people who don’t speak English, but then this movie is nearly worthless for the International Bollywood fans. Thus for the UK Bollywood fans all there is left to see in We Are Family are the performances of Kajol, Kareena and Arjun Ramphal with debutant director Siddharth Malhotra’s vision.

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“Ain’t no mountain high.. ain’t no valley low.. ain’t no river wide enough baby..

If you need me call me.. no matter where you are .. no matter how far.. no problem baby”

We don’t have Marvin Gaye in We Are Family but we certainly do have the best of Shankar Ehsaan Loy on the music with Irshad Kamil and Anvit Dutt writing the lyrics. What I am curious to find out if the OST of We are Family has any inspirations from the Stepmom OST as that truly is some soundtrack. Let us hit play and find out what this 10 track album has in store.. (last 4 songs are bonus songs so lets check out the first 6 for We are Family)

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Track 1 – Aankhon Mein Neendein – The song opens with what you would imagine coming out of the Aisha soundtrack with serious similarities until Rahat Fateh Ali Khan & Shreya Ghoshal’s soulful voices fill your ears. The arrangement of the song is catchy at the start but then goes into sounding like an average Bollywood song. Some good instruments used like the mouth organ solo. The overall music feel of the song is similar to the sounds of Kal Ho Na Ho and Kabhi Alvida Naa Kehna and thus lacks true identity. The lyrics by Irshad Kamil are pretty complicated and not that you will pick up on your first listen except for the chorus.. and thus it will take a couple of listens to start liking this song. 7/10.

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Track 2 – Dil Khol Ke Let’s Rock – Elvis would probably kill himself if he listens to this. Sure it is not bad for Bollywood but this song is suicide in the international markets. Totally inspired by Jailhouse Rock and written by Anvita Dutt is what is playing the most of TV these days.. but I am still to develop a liking for this song. The Dholki twist in the bridge of the song is pretty cool but overall the song fails to impress musically and lyrically. Even the vocal performances by Akriti Kakkar, Anushka Manchanda & Suraj Jagan are purely average. 5/10.

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Track 3 – Reham O Karam – This song comes as a surprise after an average and a nearly average song. Pure Shankar Mahadevan vocals can blow anyone away. They are just perfect and can swing your mood and calm your nerves within a minute of listening. This is what you call God gifted talent!! Vishal Dadlani has been singing a number of really good songs and seems to be promoting himself as a singer now and not just a music director.. he is singing for his competition music directors now! Good for him.. and for us since this song is something else. They lyrics by Irshad are very good but not catchy again. The music is nearly not there and is not required as Shankar fills up all the airwaves but when there is then it is with the rock theme with some exciting orchestration and electric guitars. Must & totally recommended listen. 8/10.

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Track 4 – Hamesha & Forever – Sonu starts off this song with some good piano work and harmonic chorus. The mastering could be off in this song as the music seems to sound louder than his vocals. So technically not the best. Again with the lyrics.. the beauty of words comes across through long phrases rather than rhyming words and thus misses the real click that usually works with the audiences. It’s a decently good song overall but I won’t recommend it. SEL (Shankar Eshaan Loy) seem to be loosing it with what really works with their listeners. 6/10.

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Track 5 – Sun Le Dua Yeh Aasman – Bela Shende is a name that has come up after a long time after Jodhaa Akhbar & Paheli. She does another acoustic song to piano which actually sounds really good as far as the music arrangement and her vocals are concerned. The lyrics for a change do work! The sad feel of the song is very situational and I guess works in the background in the movie when she about to die. 7/10.

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Track 6 – We Are Family Theme – Well now we know why there is excessive use of piano throughout all the songs in this movie since it is part of the theme. This is where SEL excel.. in creating good theme musics for situational movies. They never fail to impress in this category and this could well win them an award in the music department.. Musically this song is that good.. Check it out. 8/10.

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Track 7 – Noor E Khuda – Bonus Track from the movie ‘My Name is Khan‘.

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Track 8 – Aaj Kal Zindagi – Bonus Track from the movie ‘Wake Up Sid‘.

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Track 9 – Kabhi Alvida Naa Kehan – Bonus Track from the movie ‘Kabhi Alvida Naa Kehna‘.

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Track 10 – Kal Ho Naa Ho – Bonus Track from the movie ‘Kal Ho Naa Ho‘.

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FINAL WORD

Above Average – 6.5/10

Just a little above average for this OST because of the disappointment that it brought along.. With names like SEL, Irshad Kamil & Karan Johar I was expecting this to be something new that would thrill. But every song is almost predictable with SEL deciding to play safe all across the OST with nothing new in the CD players. No big track to hit the dance floors and all they could come up with was a copy of Jailhouse Rock. The lyrics are good but they don’t click. The vocals are good but fail to totally impress except really good vocals in Reham O Karam and Sun Le Dua Yeh Aasman. hus I won’t recommend you buying this OST but surely get the above two songs. Music on Sony Music.

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Am writing a music review after a long time.. I hope I haven’t lost touch with my music. And I hope exactly the same for Vishal-Shekhar who are making music after a long time. Frankly I feel fit and up-to-date.. One can’t really loose touch of music flavour & understanding can they! I guess it is the same for Vishal-Shekhar too. They are good at what they do & I feel they can never loose that! After Dostana in 2008 they only worked on Aladin last year. This year they are back with I HATE LUV STORYS (== IHLS).

Cliche line..?? I hope the music is not cliche for this exciting forthcoming project which is a Karan & Hiroo Johar & Ronnie Screwvala production under the UTV banner. Starring Imran Khan & cutie Sonam Kapoor who are back after flops LUCK and Delhi-6. IHLS is the brain child of debutant director Punit Malhotra who has also written the story. Karan Johar loves working with new directors I guess.. Well can’t object to that since they usually give him hits like Dostana recently. Another common factor to these projects is the hit music of Vishal-Shekhar. These guys make some of the biggest club tunes like Desi Girl, Bachna Ae Haseeno & Om Shanti Om.

So lets hope IHLS delivers something new for me to play in the parties which is fresh, young and with a killer beat just like the film trailer. Check it out.. It is about a guy who works in the film industry & doesn’t believe in love but then has to work on a romantic film with a girl who is crazy about love.

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REVIEW

Track 1 – Jab Mila Tu – This song reminds you of exactly the same album opening to Dostana with Jaane Kyu. A soft romantic beauty this song is.. I love it’s vibe with the classic double bass rhythm and some sharp acoustic guitar at the start followed by dirty electric guitar in the para’s. Anvita Dutt is a hugely talented writer & her lyrics on this song are truly mesmerising. Vishal lends his vocals to his compilation himself & the texture of his voice fits in brilliantly. You will be humming & singing along this tune in a matter of a few minutes. A perfect Sunday morning radio tune – 8/10.

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Track 2 – Bin Tere – So what if Vishal can’t sing every song on the album.. he is hugely talented and can write lyrics equally well. Even if it is for a phenomenal ex-Pakistani band Fuson singer Shafqat Amanat Ali, Vishal can give the lyrics lot of substance & depth. Respect to him.. Shafqat gives his soul in the form of his voice to this song which moves to a rather fast upbeat for a sad romantic song like this. Listen to the guitar on this number. Some really good solo’s with a wholesome band instrumental compilation. Sunidhi Chauhan makes an appearance & does a harmony with Shafqat in the last 2 minutes. Like this one.. but definitely not the best I’ve heard. 7/10.

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Track 3 – I Hate Luv Storys – This funky title song is a modern equivalent of Shut up and bounce from Dostana.. only a lot cooler!!! This is the tune I’ll be blasting in clubs and parties. In the voice of Vishal Dadlani again with the lyrics of Kumaar, this song has a catchy hit chorus line with part Hindi part English lyrics. It is fresh, cool, funky, hummable, dancy and very capable of lighting the dance floor on fire if mixed right by the DJ’s around the world. It is not a massive tune like Desi Girl or Bachna Ae Haseeno or Deewangi Deewangi.. but it has it’s own style & it works. Sure hit – 7.5/10.

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Track 4 – Bahara – A start with the classical Rajasthani voice of Sona Mohapatra is always a good style. It works with the listeners as proved by Genda Phool last year. Shreya Ghosal’s melodic voice literally makes you feel like Spring as she talks about the thrill of her first love with the lyrics of Kumaar. A good romantic song with a very good unique composition. Could have done with more classical instrumentation.. But it is alright. You will still like it. 7/10.

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Track 5 – Sadka – Another song with strikingly good lyrics by Anvita Dutt. 3 Idiots singer – Suraj Jagan gives it a very deep vocal touch. He sounds ambient & very powerful for a song with lyrics talking about worship of love. Mahalaxmi Iyer does well too on the female vocals.. but not outstanding. Suraj steals leads the song all the way. The production & composition sounds similar to the others with the typical Vishal-Shekhar deep bass guitar. Good song. 7/10.

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Track 6 – Bin Tere-Reprise – This version completely surprises you with how good it is. Vishal lets his partner Shekhar take on the mic this time & also lets Kumaar improvise on his original lyrics. A big sacrifice !! and it truly pays off. The acoustic guitar is brilliant.. soulful & melodious. The lyrics are truly beautiful and make you fall in love. A valentines day classic to be or a perfect background song for your wedding reception. Love it.. 8.5/10.

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Track 7 – Bahara (Chill Version) – One of my favourite singers Rahat Fateh Ali Khan comes down to make a good song even better. His voice alone gives so much more depth to Kumaar’s lyrics that you just won’t believe how the same song so different.. even when it is not a remix !! The chill version is a true lounge mix and relaxes your nerves. Close your eyes and listen to truly enjoy the bliss of the classical recitation by Rahat. A must listen. 8/10.

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Track 8 – Bin Tere-Remix - DJ Kiran steps in to try and make a great song dancy.. Succeeds at that.. but truly ruins the feel of this soulful number. The trance feel fits in but not well enough to make you like this version. You can stop listening to this album after Track 7. I would hate to find any DJ’s out there playing this anywhere.. Ignore this one. 5/10.

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FINAL WORD

Super Good & Fresh – 7.5/10

Forget loosing touch.. Vishal-Shekhar have only got better. This album might not prove to be very big hit like some of their previous work but it sure has a different essence that they can boast of. It is an all rounder filling in all the gaps in the current market for different genres. It works in every respect to deliver a good package with a lot of love in it.. Ironic for a title that hates love !!

Buy this album if you are a music lover. Or even if you just love your partner then buy this album to impress them with your romantic listening taste.. You will feel the magic ! Available on Sony Music.

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Dhoondte Reh Jaoge has already released in India and is doing average business at the box office. It is a mindless comedy directed by Umesh Shukla and produced by Ronnie Screwvala under the UTV motion pictures banner. It stars a huge list of not-so-big stars including Sonu Sood, Zayed Khan, Soha Ali Khan, Paresh Rawal, Kunal Khemu, Deepal Shaw, Asrani, Razak Khan and Hrishitaa Bhatt.

The surprising part was that the music release for the movie happened only a week before the movie release. The current trend in the industry is that the music is released a atleast a month before to market the movie through it’s music. You listen to the music of Dhoondte Reh Jaoge and you understand why…

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Sajid Wajid have made hit music for years now.. Pyar Kiya Toh Darna Kya, Baaghi, Tere Naam, Hello and Parter are some of their biggies.. But then they have also made a bulk of flop soundtracks … or should we say plain average OST’s. Dhoondte Reh Jaoge would classify under the flop soundtracks unfortunately.. & that’s why I think the production house thought there is no point in trying to promote the movie using plain average music like this. Here is the synopsis ..

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REVIEW

Track 1 – Dhoondte Reh Jaoge – This title song is penned down by Jalees Sherwani and voiced by the one and only.. Sonu Nigam. Probably that’s the only thing that stands out in this song. But it’s not noticeable. What I mean is, that Sonu Nigam is the best part of the song .. but is still no where close to being the best. The lyrics have the comic feel and sums up a bit of what the movie theme is all about… but quite boring to be frank. The composition & conduction of the music is flat with no good parts to it. 5.5/10.

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Track 2 – Pal Yeh Aane Wala Pal – A cheeky comic romantic song.. It sounds like a song in the fake movie these guys are making in Dhoondte Reh Jaoge. It has a good start beat pattern and a catchy rhythm with a nice groove bass giving the composition it’s true flavour. It has been sung by Neeraj Shridhar and somehow, although it is a Sajid Wajid composition, it has a Bombay Vikings touch to it. Probably the caribbean type rap gives that flavour. This song can grow on radio airplay if promoted well & has a good video to it. 6.5/10 .

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Track 3 – Salma-O-Salma – A ‘take you to the streets of Mumbai’ song. Remember ‘Money Hai toh Honey Hai’ soundtrack?? Those are the lines this song goes down with a very interesting take.. & that interesting take is the singer.. Dr. Palash Sen ladies & gents.. If you know the premiere Indian rock back “Euphoria” & the super famous song Dhoom Phichak Dhoom then you sure know him. He is such an excellent singer and gives this song a classic touch on Shabbir Ahmed’s lyrics. It’s a perfect song for a Holi or Ganesh Chaturthi party. It’s wild… This song is not for everyone’s taste.. but people with Mumbai in their life in anyway will love it. I do.. 7/10 .

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Track 4 – I’am Falling In Love – This is a serious romantic song for the love birds with no comic theme of the movie evident in it. Sung by music director Wajid himself and has a nice acoustic ambient feel… something you would normally hear from Pakistani pop bands like Strings. Wajid even sounds like Faisal at times. It’s got good lyrics and is very Bollywood in the later half with violins. Sadly, the song doesn’t catch your attention or stay in your mind for long. It lacks the captivating power. Hence.. 6/10 .

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Track 5 – Nako-Re-Nako – Javed Ali from Guzarish fame joins Wajid on the mic for this part Marathi to-a-hip-hop-beat song. It’s an interesting combo of the Mumbai flavor with a hip-hop beat. But the lyrics & vocals fail completely on this song. Your immediate reaction on hearing this track might be “pressing the next button”. It is annoying in a way.. So .. Skip.. 4.5/10.

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Track 6 – Apne Ko Paisa Chahiye – If you liked the song Phir Milenge Chalte Chalte from Rab Ne Bana Di Jodi with the fusion of a lot of Bollywood movie names, then.. you will hate this song!!! It’s on the same lines but its so damn badly done.. I completely dislike the vocals of Wajid & Soumya Raoh & the arrangement is completely off. That also with a title line of Apne ko paisa chahiye… :/ Doesn’t work on the drag music. 5/10 .

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Track 7 – Instrumental – I quite like this music piece. An upbeat action suspense sequence type music. Most probably used as background score for the movie for the fast paced scenes. The best composition of all the 7 tracks. 7/10 .

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FINAL WORD

Below Average – 4.5/10 .

‘Dhoondte Reh Jaoge’ mein aap koi khas baat Dhoondte Reh Jaoge… All the songs are plain average or say below average. Some have a few positives.. but then the negatives dissolve the positives.. So all in all.. the movie might be funny but the soundtrack has no sense of humour to it.. !!

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